Spotlight Movie Review

Thankfully after the sour taste of Truth, a journalism movie with good intentions but very poor execution and understanding of proper journalism, Spotlight came along to remind us that there are people who get it. They get that investigative journalism can be a tool and a force for change and for good and that the ends in themselves are not always justified even if your story is right, or is most likely right. Good journalism requires good, fair, and accurate reporting. It’s about dogged determination in getting people to talk or reveal secrets. Spotlight, directed by Tom McCarthy and co-written by him and Josh Singer, sis the best movie about the process of investigation and what goes into reporting a story since All the President’s Men.

Lee Daniels' The Butler Movie Review

It’s not so much that Lee Daniels’ The Butler is a bad movie, but that it’s completely toothless. Here’s a movie made by a black filmmaker whose audacious breakout was Precious, a film that doesn’t dare shy away from the hard circumstances of being black in America, specifically of being black and desperately poor in America. The brunt of the problem with the story is in Danny Strong’s screenplay, which drew on a Washington Post article about a black man who worked in the White House as a butler through eight Presidential administrations for inspiration. Still, Daniels chose the material to direct. And I’m not insisting that a black filmmaker must be consigned to telling black stories or that when he does, they always have to be gritty, but it seems to me there is some moral imperative to battle and to make audiences feel uncomfortable. Unfortunately, The Butler is so intent on being a moneymaker for the studio that it compromises pretty much all of its values so it can appealing to a mass audience.

Argo Movie Review

Just about everyone knows or remembers that in 1979 Iranian revolutionaries seized control of the American embassy in Tehran and held 52 Americans hostage for the next 444 days, after which all of them went home alive. The story was on the minds of nearly everyone in the country. The incident figured heavily in the sense of national pride when the U.S. hockey team defeated Russia and won gold at the Lake Placid Olympics. My six year old brother was so disturbed by the story that he scratched Iran off a beautiful glass globe that belonged to my great grandfather.

The part I never knew, and what many people apparently never knew, was that six Americans escaped out the back door and hid at the home of the Canadian ambassador while the CIA worked out scenarios for exfiltrating them. Even less known than that was the method eventually used and the cover provided to bring them home safely. The real story was declassified in 1997 and has now been turned into a movie called Argo and directed by Ben Affleck. Chris Terrio wrote the screenplay based on a 2007 “Wired” article by Joshuah Bearman and on a book by the CIA operative Tony Mendez, who orchestrated the escape. Apollo 13 has been playing recently on AMC. What I remembered most about that movie was how great Ron Howard was at building suspense through a story whose outcome we already knew. Those three astronauts survived, but we feel the tension along with them because they don’t know what their futures hold. That’s how I felt during much of Argo.