Woman in Gold Movie Review

I’m a big “West Wing” fan, so excuse me if you don’t know what I’m referring to when I say, “Crime. Boy, I don’t know.” That is a line from “Posse Comitatus,” the season 3 finale and the lynchpin moment when President Bartlett decides he’s going to take it to his opponent in the election. Woman in Gold is the Holocaust equivalent of that sentiment, an empty gesture at acknowledging something inexplicably awful.

Monsters University Movie Review

Someone suggested that a more fitting title for Monsters University, the prequel to Pixar’s hit Monsters, Inc., would have been When Mike Met Sulley. Not only do you get the Sully/Sally pun, but of course Mike is voiced by Billy Crystal, who played Harry, the man who met Sally. That’s neither here nor there, having little to do with the movie itself. It’s just an observation, but essentially Monsters University is the story of how Mike Wazowski, the irrepressible and energetic little walking eyeball became best buds with Sully, the big pastel-hewed fierce and furry “scarer” voiced by John Goodman. This is the story of how they came to be the powerful team that generates innumerable canisters of screams to power the Monster city.

Hitchcock Movie Review

There is a speech delivered by Helen Mirren in Hitchcock that begins bluntly and forcefully, before becoming one of those acting moments that gets played over and over again at awards shows. It’s a moment of performance that can so quickly and easily become overwrought, but then you realize that Mirren is an actress of incredible skill, subtlety, and professionalism that she won’t let her performance overshadow her character. She plays Alma Reville, the great director Alfred Hitchcock’s long-suffering wife and behind-the-scenes collaborator. She holds the film together and although Hitchcock is ostensibly concerned with the making of Psycho, that’s really just a backdrop for the way their marriage functioned and occasionally faltered.

The Debt Movie Review: Questions on Jewish Justice and Vengeance

Vengeance is not Jewish. This is an idea that people throughout history have had difficulty reconciling with their own (at times) warped views of Jewish people. A sense of fairness and justice has primacy in Jewish intellectual and political history. From Shylock to Steven Spielberg’s Munich the question rages on: What is fair and just punishment for a crime and when do we cross the line in to pure revenge.

John Madden’s The Debt, based on the 2007 Israeli film Ha Hov (unseen by me), treads similar ground to Munich, although with far less cunning insight. And I’ve never viewed Steven Spielberg as a particularly insightful or challenging filmmaker. The Debt concerns a fictional Mossad mission to capture The Surgeon of Birkenau, a Nazi war criminal obviously modeled on Josef Mengele, who performed grotesque medical experiments on Jewish and Roma men, women, and children at Auschwitz.

The Pledge Movie Review

This review was written in January 2001 and is presented here for the first time.

The commercials for The Pledge, a new psychological thriller directed by Sean Penn based on the book by Friedrich Dürrenmatt, suggest that it's a standard detective story. One might expect the hero of the film to hunt a crazed killer, who continues to feed on prey until he leaves enough clues for said hero to catch him. But it's more about the lengths to which this detective (recently retired) will go to stop the killing.

Jack Nicholson plays Detective Jerry Black, who gets involved in one last case three hours before his retirement officially begins. The crime is a gruesome one, in which a seven-year-old girl has been raped and mutilated, then left in the snowy wilderness for a young boy to find. Jerry makes a solemn promise to the parents of the deceased that he will catch the killer. This is the titular vow that motivates his every action throughout the film.

The Last Station Movie Review

Michael Hoffman has directed several films of average quality and The Last Station, written by Hoffman from the novel by Jay Parini, fits right in with his other work which includes such forgettable titles as The Emperor’s Club and Restoration. You’re forgiven if you have little to no memory of these films from 2002 and 1995, respectively.

The Last Station, released last year, earned two Oscar nominations for its stars Helen Mirren and Christopher Plummer. They play Sophia and Leo Tolstoy in the early 20th century, before the Bolshevik Revolution altered Russia forever.Leo, or Lev, as he is lovingly called by family and friends, is nearing the end of his life and is set on establishing his overarching philosophy of socialism, hoping to pass his beliefs on to the next generation.