Heat Movie Review

It’s sort of improbable that Michael Mann was able to make Heat the way he wanted to at the length of nearly three hours. How did a studio greenlight that decision? Mann was not a known director like a Scorsese or a Spielberg. Crime drama was not exactly a genre that typically lent itself to epic scope and length. I can only surmise that it was on the strength of having Robert De Niro and Al Pacino as the two leads that made executives believe that people would come to this movie. It didn’t hurt, I’m sure, that the movie is exceptionally well-made.

Important Anniversaries Marked in 2015

* The Oscar winners noted were released in the previous year, but given the award in the year noted.

10 Years Ago (2005)

Pierce Brosnan resigned at James Bond after four films and later in the year Daniel Craig was named as his successor.

Number of films I've seen: 87
My average rating: 6.89 / 10
My best of the year: Cache dir. Michael Haneke
My worst of the year: Fantastic Four dir. Tim Story

directing debuts 
Judd Apatow (The 40-Year Old Virgin)
Lee Daniels+ (Shadowboxer)
Rian Johnson (Brick)
Joss Whedon* (Serenity)

* past Oscar nominee NOT for directing +future Oscar nominee

notable deaths
Playwright and screenwriter Arthur Miller (89)
Director Robert Wise (91)
Actor and comedian Richard Pryor (65)

Top grossing film for the year (domestic): Revenge of the Sith ($380.3  million)
(worldwide): Harry Potter and the Goblet of Fire ($896.9 million)

Academy Award Best Picture winner*: Million Dollar Baby dir. Clint Eastwood

Cannes Film Festival Palme d'Or winner: L'Enfant dir. Jean-Pierre and Luc Dardenne

Movies from my collection
The 40-Year Old Virgin
Brokeback Mountain
Cache
A History of Violence
Match Point
Wedding Crashers

Non-movie related
- Iraq had its first free Parliamentary elections since 1958 on 30 January
- Pope John Paul II died on 2 April
- Pope Benedict XVI elected 265th Pope on 19 April
- Variety revealed the identity of Deep Throat to be FBI Associate Director Mark Felt on 31 May
- Four coordinated bombing attacks in London killed 52 people on 7 July, the day after the city was announced as host of the 2012 Summer Olympics
- Hurricane Katrina made landfall on the Gulf Coast on 29 August

From My Collection: Leaving Las Vegas Movie Review

To understand a little about the kind of person I was in high school, I probably need only tell you that a movie I and my friends wanted to see was Leaving Las Vegas, Mike Figgis’s film about an alcoholic who decides to drink himself to death and strikes up an odd relationship with a prostitute. And believe me when I tell you it had nothing to do with seeing Elisabeth Shue’s (star of childhood favorite Adventures in Babysitting) breasts. A friend and I went to see it because it had challenging subject matter, because it was a reprieve from the usual populist fare. If I was like that at 17, then imagine how my taste runs today.

Short Cut Movie Review from My Collection: Before Sunrise

A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.

I originally missed the big brouhaha over Before Sunrise in 1995. I was in high school and many of my friends went nuts for it. It barely interested me then, perhaps specifically because so many of my friends were so gaga. I’ve always tended to reject, sight unseen, anything that generates such feverish fandom. Then over the years it slowly cemented its place in the cultural pantheon of independent film. Then Richard Linklater made a sequel and I decided it was finally time to take a look at it.

Seven Movie Review

Although I saw this when I was already 17, it scared the shit out of me. When I saw it for the first time in the cinema I literally fell out of my chair at the moment when the 'sloth' victim turns out not to be dead. This was one of the most terrifying cinematic experiences I've ever had.

Click here for a list of all other films reviewed and considered for this October 2012 series of horror reviews.

Seven is the one film as I reached toward adulthood that really got under my skin in a way that terrified me. This police procedural thriller about a sadistic serial killer was created through the use of set design and cinematography that are just unnerving. I can’t recall another film of its kind that left me so shaken. It’s unrelenting not only in its sick and ghastly murders, of which we only ever see the aftermath, but also in its dark and depressing tone, designed specifically to destroy the audience’s will to go on, the way the rain continually pours down on the movie’s unnamed city and casts a gloom outside every window. Even the ending, which ties everything together and offers some explanation for the apparent irrationality of the killer, is almost entirely without hope or a denouement.

Halloween: The Curse of Michael Myers Movie Review

Because this was released when I was already nearing the end of high school it wasn't really a part of my horror culture when I was a kid. I watched it once when I rented it with a friend, but honestly that was probably when we were in college, past my cutoff year of 1996 for this October series.

Click here for a list of all other films reviewed and considered for this October 2012 series of horror reviews.

As incredible as it was that Halloween 5: The Revenge of Michael Myers improved upon the quality, or lack therof, of Halloween 4: The Return of Michael Myers, that’s nothing compared to Halloween: The Curse of Michael Myers, the series’ sixth film. Don’t get me wrong, there’s a lot to criticize here, but taken as a whole experience it’s more fun, better written and acted, and scarier than most other horror sequels.

Kicking and Screaming Movie Review

Watching all those Whit Stillman movies a couple of months ago got me thinking again about Kicking and Screaming, a movie about four friends recently graduated from college, which I hadn’t seen since I was their age. It was Noah Baumbach’s first feature film (he shares a story credit with Oliver Berkman), made on a fairly low budget in the mid-90s when low budgets were sheik, and features the actor Chris Eigeman, whose presence is part of what connects the movie in my mind to Stillman’s work. That and similar writing styles that focus on educated characters who speak literately and engagingly on a variety of topics.

Movie Review: Desperado

Let's play.

Some cinema experiences remain permanently etched in my memory. One of those is Robert Rodríguez’s Desperado, the sequel to his 1992 breakout indie hit El mariachi. I was 17 years old when a large group of us went to see Desperado at our local second-run cinema (when they still existed). We sat up in the balcony and laughed and cheered our way through ridiculous action sequences, a hilarious opening action sequence with monologue accompaniment by Steve Buscemi and two gorgeous leads in Antonio Banderas and Salma Hayek.

We recognized at the time that what we were witnessing was not your typical studio action extravaganza, but a very sharp send-up of such action rubbish. In the process, Rodríguez also crafted a pretty decent action flick in its own right.

Devil in a Blue Dress Movie Review

It’s interesting what more than a decade can do to your perspective and reaction to a film. I really liked Devil in a Blue Dress when I saw it in high school and then again years later on DVD. I was much less enamored with it this time around, although I still think this story of a burgeoning private detective living in the Watts neighborhood of post-war Los Angeles has a lot going for it to recommend.

Carl Franklin wrote and directed this adaptation of the novel by Walter Mosley, the first of a series of ten novels featuring the character Ezekiel Rawlins, brought to life here by Denzel Washington. Franklin’s previous outing as director had been the neo-noir One False Move, which was very well received by critics. Franklin demonstrated a streamlined approach to genre filmmaking, focusing strongly on the violence and tension built into the script. He takes a similar approach to Mosley’s book, but he’s not working with as strong a story.