A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
When I watched Colors a few years ago I discovered what felt like an incredibly dated piece of urban
crime drama. Reading old reviews I found the original reception hailed it as
gritty and realistic. In the case of Boyz
N the Hood, I had already seen it several times before watching it again
recently, but still found much of it very dated. Perhaps it’s a general problem
with all urban crime dramas of that period that they now feel like they’re from
another era.
This doesn’t change my opinion of John Singleton’s film
debut as one of the best written and directed films of the early 90s. It is
truly remarkable to consider that he made the film at age 23 and wrote it when
he was even younger. It vibrates with urgency and a maturity often not achieved
by directors ten years his senior. Much of it is preachy in its conception, a forgivable
fault for its standing as a message movie, a rallying cry to end the gang
violence omnipresent in certain neighborhoods of L.A.
Cuba Gooding Jr. was still young and virtually unknown
when he gave what I still consider his best performance as a teen being raised
by a responsible father in a terrible neighborhood racked by gang violence and
drugs. As his father, Lawrence Fishburne exudes paternal care and warmth and a
wisdom way beyond his 32 years. His character is the consummate voice of
reason, the preacher, and philosopher trying to change the world with ideas. He
is Singleton’s mouthpiece. Rapper Ice Cube is effective as one of Gooding’s
friends, an ex-convict unable to escape the shadow of his younger brother,
played by Morris Chestnut. Angela Bassett also appears in a couple of scenes as
Gooding’s mother.
The tension almost never lets up. The story is
heartbreaking and tragic. Though the direction is at times unnecessarily flashy
and the writing occasionally heavy-handed, Boyz
N the Hood remains one of th best in that long ago series of L.A. gang
films.
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