The Bourne Ultimatum Movie Review

Matt Damon never smiles in The Bourne Supremacy. I think that’s also true in The Bourne Ultimatum, which is the darker and slightly more sinister installment in the trilogy. It picks up where the previous film left off, after Bourne has tried to achieve some redemption by apologizing to the young woman whose life he altered when he murdered her parents. Most of the movie cleverly, it turns out, takes place between that apology scene and the epilogue of The Bourne Supremacy in which he calls Pam Landy and insinuates that he’s looking at her through her office window.

From My Collection: A Modern Classic Movie Review of L.A. Confidential

What studio executive looked at the talent and material coming together on the 1997 adaptation of James Ellroy’s pulp detective novel L.A. Confidential and thought it was a good idea? On paper, it just doesn’t look like it should work. But I guess that’s proof then that studios can’t predict everything based on filmmakers’ resumes, popularity of talent and story material. In L.A. Confidential they had on their hands a 1950s period detective story with an unbelievably complex plot, one that rivals Raymond Chandler for its twists and turns and reversals. It’s true that pulp stories were steaming along in popularity in the late 90s and neo-noir was perhaps starting to make another brief resurgence.

25 Years Ago This Month: Eight Men Out Movie Review

John Sayles’ Eight Men Out, the story of the 1919 Chicago “Black Sox” scandal, is, on the one hand, an odd outlier compared to the rest of his work, and on the other, somewhat right in line with his plight of the working man sensibility. I’ve always been a great admirer of Sayles’ films. I especially enjoy the fact that he can make films illustrating the challenges of capitalism for laborers without being preachy or overtly socialist. He’s the more toned down American version of Ken Loach. In that respect, Eight Men Out fits right in because his version of the story, which is based on the book by Eliot Asinof, focuses more on the accused players as put-upon contracted laborers in thrall to a greedy owner who exploits their talents for financial gain. But amid his full body of work as writer and director it stands out as one of only two films he adapted from source material. So while he’s chosen to focus on the aspects that do appeal to him as a storyteller, the crux of the film is that it’s a historical sports movie, standing very much apart from his other work.

The Bourne Legacy Movie Review

Tony Gilroy, so desperate along with Universal Studios, to continue the cash cow of the Jason Bourne film series that he personally crafted and adapted from books to films, went ahead with a fourth film even after Matt Damon, the series’ eponymous hero, bowed out. How can you have a Bourne film without Bourne? They could have decided to make it something like the Bond series, replacing the actor periodically as they age out of the role, providing the character contemporary problems to confront. But then it would have run the risk of copycat syndrome, I guess. So instead Gilroy, with the help of his brother Dan, decided with The Bourne Legacy to keep it all in the same universe, but provide a new protagonist in Aaron Cross, a super-assassin involved in a program similar to the Treadstone project that created Bourne. It’s an expansion of the Robert Ludlum series of books, taking the title, but nothing of the story, from the fourth book, which wasn’t even written by Ludlum. Confused? It doesn’t matter because The Bourne Supremacy and The Bourne Ultimatum had already deviated far from Ludlum’s novels.