Romancing the Stone Movie Review

The movies you loved as a kid sometimes turn out to be classics (i.e. Back to the Future and Star Wars) while others, it turns out, were really just not very good. Ah, the undiscerning view from a child’s perspective. When you’re a kid, a movie is good or not because it has excitement, adventures, romance, and comedy. For some adults I guess that never changes. Before Robert Zemeckis directed Back to the Future, he had a big commercial success in Romancing the Stone, a sort of Raiders of the Lost Ark knock-off starring Kathleen Turner as a dowdy romance novelist and Michael Douglas as a roughneck who saves her in the jungles of Colombia.

Short Cut Movie Review: Behind the Candelabra

A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.

I didn't know much of anything about Liberace except that he was a flamboyant pianist with grand spectacle performances and outlandish costumes. I can't say after seeing Steven Soderbergh's Behind the Candelabra that I know much more about the man and his life overall because it's a biopic that steers clear of the wide scope vision to focus on a several years period of his late life and the effect he had on one individual in particular.

In fact, it's more the story of Scott Thorson, Liberace's secret lover for about six years in the late 70s and early 80s. After all, Richard LaGravenese adapted Thorson's book for the screenplay so while it spends its early moments sort of enamored with Liberace's fashion sense, warm and generous personality, and lavish lifestyle, it eventually reveals him to be narcissistic, grandiose, fickle, and self-serving. But he still doesn't come off as a bad guy! Whether or not it's an accurate portrayal of the man or not is beside the point. It's a study of how a larger-than-life force of fame can have such a strong effect on others, especially a young and vulnerable man like Scott, although he is certainly not without his faults as he gradually falls into jealousy and despair (spurred on by Liberace's waning affections and fleeting attention) and drug abuse.

Soderbergh took a long time to bring this story to the screen and in the end it took HBO, not a Hollywood studio, to take a chance on a romantic film involving two men that was unflinching in its depiction of physical affection. It was well worth the wait. It is a stylish film with two fantastically entertaining performances from Matt Damon as Scott and Michael Douglas as Liberace. These are two actors who took big risks with this production and it pays off because the result is an honest portrayal of love and jealousy.

25 Years Ago This Month: December 1987

Movie release schedules were not all that different 25 years ago. Studios saved their best films for the very end of the year, just like they do today, in order to be fresh in awards voters' minds. The result is that a lot of deserving films released earlier in the year are largely ignored. The December 1987 film releases garnered a combined total of 28 Academy Award nomination. If we add The Last Emperor, which had a limited release in late November followed by a wider December release, that makes 37 nominations spread over ten films.

In Empire of the Sun, Steven Spielberg returned to WWII, subject matter that has been at the crux of no fewer than six of the films he's directed. Christian Bale starred in the film about a boy from a wealthy British family living in Shanghai who finds himself in a Japanese internment camp after the occupation begins.

Haywire Movie Review

Before going to see Steven Soderbergh’s Haywire I kept referring to it as “the ass-kicking movie.” It’s hard to argue that I was wrong in my terse description. The whole thing is a ruse to showcase the talents of Mixed Martial Arts competitor Gina Carano in several brutal action fight scenes.

The film opens with a cracker of a fight scene. The stage is set in a tranquil roadside diner somewhere in upstate New York. Mallory (Carano) approaches cautiously, enters and sits down. She’s soon joined by Aaron (Channing Tatum) and their conversation reveals tidbits of a plot we’re not yet privy to. The dialogue here is not the lazy expository garbage of your typical action film. Instead they speak like characters who already know the history and have no concern for the audience’s knowledge. Suddenly and without warning, Aaron has thrown his coffee in Mallory’s face and smashed the cup on her head before they start brawling in the tight confines between the counter and the booths.

25 Years Ago This Month: December 1985

In typical movie release calendar tradition, December 1985 was packed with the studios' various prestige movies vying for awards consideration.

One such film was Runaway Train starring Jon Voight, Eric Roberts and Rebecca DeMornay. Roberts earned his one and only Oscar nomination (to date) for the film. He went on to become a trashy B-movie star. The director, Andrey Konchalovskiy, went on to later direct the wonderful Sylvester Stallone/Kurt Russell buddy copy film Tango & Cash.

The eventual Best Picture Oscar winner, Sydney Pollack's Out of Africa opened to rave reviews and went on to become the number 5 box office success for 1985, just behind...

Solitary Man Movie Review: Wonderful and Subtle Performance by Michael Douglas

Michael Douglas and Susan Sarandon in a particularly tender and bittersweet moment in Solitary Man.

Ben Kalmen (Michael Douglas), the character referred to in the title of this year’s Solitary Man, is like Grady Tripp from Wonder Boys meets Gordon Gekko of Wall Street: Money Never Sleeps. When we meet him, his life is spiraling out of control and his decisions over the next few months will continue to drive him further and further downward. Most of his troubles are the result of some illegal business practices within his chain of very successful car dealerships in the New York tri-state area.

Ben used to be famous for being an honest business man. He had everything and even donated enough money to his alma mater up in Boston to have the library renamed in his honor. But then a health crisis caused him to reevaluate his decision making process and things went south in a hurry.

Michael Douglas for Another Oscar?

Maybe, but for Money Never Sleeps? Seriously? I mean, I understand the studios touting for Oscars for all kinds of garbage that's hardly worth it. At this time of year basically every film is offered up as a potential Oscar contender. Typically the studios only pour big money into genuine contender, however.

I simply don't see Michael Douglas getting anything close to a nomination for reprising his role as Gordon Gekko. Not only is the film not really worth a second look, but the performance is barely up to the benchmark he set 23 years ago.

Yet here's an article that basically just serves to promote studios and Oscars without bothering to examine the real possibility that Douglas might actually get a nomination or has any shot at all with Money Never Sleeps. It looks like this reporter was duped by the clever Oscar campaigns of two movie studios. He's just gone along with what they're selling.

As for Douglas's possible nomination for Solitary Man I can't really say because I haven't seen it yet, but it is on the docket. If anything I think it makes perfect sense for 20th Century Fox to try to push him in the supporting  category for the Wall Street sequel. It truly is a supporting role. Shia Labeouf is the obvious lead, but so help me if he gets a Best Actor nomination.

Update 23 October: I've seen Solitary Man and while I didn't particularly care for the movie as a whole, I think Douglas's performance is a standout. Whether or not it will earn him Oscar accolades is hard to judge at this point. It depends on the competition. A review for that film will follow shortly.

Wall Street: Money Never Sleeps Movie Review

The thing that has made Wall Street a cult classic was Gordon Gekko. Here was a villainwhose thirst for more money kew no bounds, not so much because he wanted more, but because he liked the thrill of the chase. An entire generation of Wall Street has pathetically modeled itself on his balls to the wall attitude toward finance. To take that character and water him down, give him pathos, provide him a reason to repent is not to capture the spirit of the original film, but to capture a wider audience and bigger box office return.