Showing posts with label Marco Beltrami. Show all posts
Showing posts with label Marco Beltrami. Show all posts

Wednesday, October 31, 2012

Modern Classic Horror Review: Scream

This is the natural closing to my personal journey because it was released during winter break of my first year in college. So I was at the beginning stages of becoming a full-fledged adult and being finished with things like getting scared by horror movies. That said, this was a cinematic experience that genuinely frightened me. This was a slasher film to put a cap on a generation's worth of slasher films that relied heavily on certain conventions. I still think it's a fantastic horror movie, but its effect has certainly worn off and been done to death in the intervening years.

Click here for a list of other films reviewed and considered for this October 2012 series of horror reviews.

By the end of 1996 it had been so long since a genuinely scary horror movie had been in wide release that it seemed like the genre might be dead forever. Our old friends Freddy, Jason, and Michael had been flogged into oblivion and people were well attuned to the genre conventions resulting in audiences that were a lot smarter than those going to see slasher films 15 and 20 years earlier. These conventions included things like the couple that has sex getting killed; the drug users getting killed; dumb female characters always making the wrong decisions and getting dead as a result; idiot police officers; revenge motives rooted in a complicated back story; obvious suspects as red herrings; and on and on. Kevin Williamson was an aspiring screenwriter when he wrote Scream and eventually sold it, after which legendary horror director Wes Craven was hired to direct.

Thursday, October 13, 2011

Joy Ride Movie Review: Revisiting an Old Non-Classic

The director John Dahl had a fantastic start in feature films, making the neo-noirs Red Rock West and The Last Seduction back-to-back and then Rounders later. After a big-budget commercial fiasco in The Great Raid, Dahl has stuck mainly to television since 2005. He has directed several episodes each of “True Blood,” “Dexter” and “Californication,” all centered on subject matter that Dahl has been drawn to and executed quite well in his film career. It was mainly on the strength of his early work that drew me initially to Joy Ride, a fairly standard genre film that Dahl elevates slightly above the average thriller. Coming back to the film about a decade later, I’m somewhat disappointed, though not particularly surprised, to find it doesn’t hold up as well as I remember.

97th Academy Awards nomination predictions

Best Picture Anora The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez A Real Pain Sing Sing The Substance Wicked Best Dir...