A Most Wanted Man Movie Review

Roadside Attractions

Master spy novelist John le Carré’s novels have been adapted into films several times. One, Tinker Tailor Soldier Spy was made twice, the more recent of which may go down as one of the great spy thrillers. Now comes A Most Wanted Man, based on his 2008 novel, which is on the same plane, if not as deeply intricate and taut as Tinker Tailor Soldier Spy. The film, directed by Anton Corbijn and adapted by Andrew Bovell, is a brilliant exercise in restraint. Unlike Corbijn’s last film, The American, it has a great deal of forward momentum, generates real suspense, and is not nearly as opaque. And make no mistake about it – A Most Wanted Man is profoundly and subtly critical of American foreign policy with regard to the war on terror.

The American Movie Review: Mid-Life Crisis of an Assassin

George Clooney has that rare gift of being able to combine movie star power with a knack for challenging and adult movies. Consider his filmography over the last ten to twelve years. He’s worked with Steven Soderbergh on six films, the Coen brothers on three and younger new Hollywood directors such as David O. Russell, Wes Anderson and Jason Reitman. All this and he’s directed two thoughtful and interesting films himself. If his films since Out of Sight haven’t always been great, at the very least they’ve been provocative.

His latest is The American, directed by the Dutch born still photographer and music video director Anton Corbijn. In the past I’ve been critical of music video directors who have attempted to transition to feature films because too often their work is far too kinetic and/or incapable of sustaining a compelling story for two hours. Corbijn directed all of Depeche Mode’s videos from 1986 – 1998 and a couple of U2’s videos. Those videos, like this film, are marked by deliberate composition and attention to surrounding details.