As Vincent speeds along the streets, taking Mia to Lance’s house, notice Tarantino no longer uses a process shot for the moving vehicle. He maintains realism throughout the overdose sequence. After Lance hangs up the phone and just as Vincent drives up onto the lawn, Tarantino switches to a hand-held camera for most of the scene. This gives an immediacy and sense of disorder to what’s going on.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Rosanna Arquette. Show all posts
Showing posts with label Rosanna Arquette. Show all posts
Monday, February 21, 2011
"That Was Fuckin' Trippy": Pulp Fiction Analysis Part X
Go to Part IX: "Is that what you'd call an uncomfortable silence?"
Thursday, February 10, 2011
"It's a Sex Thing. It Helps Fellatio": Pulp Fiction Analysis Part VI
Part V: "In the fifth your ass goes down."
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Jodi with the 18 piercings. |
Open on Jody (Rosanna Arquette) and Trudi discussing piercing while Vincent listens. He is then summoned inside by Lance (Eric Stoltz) to make a heroin deal. Because Lance is out of balloons he has to use a baggie to give Vincent his heroin. Usually heroin is sold in balloons while cocaine is in baggies. This will be important later.
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Baggies of heroin. |
Tuesday, February 1, 2011
Modern Classic Movie Review: Pulp Fiction
As a special treat to celebrate my 100th movie review posted to this site (I've actually written more than 100, but they haven't all been posted here) I decided to write a full length review of the film that got me interested in film in the first place.
Additionally, over the next few weeks I will post, in pieces, the full analysis I did on the film several years ago. Keep your eyes open for that starting this week.
It’s amazing to me that after roughly twenty viewings from beginning to end plus an exhaustive shot-by-shot study of it, there are still moments in Quentin Tarantino’s Pulp Fiction that make me smile, chuckle or even downright surprise me: The Wolf’s smile of appreciation for the delicious coffee served up by Jimmy; Mia Wallace’s tomato joke to break the tension after an intense scene. Incredibly, watching it again for this review, I even pulled out something new that I had never picked up on before. And it wasn’t even a minor detail, but one that ties into one of the major themes of the film.
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