In 1923 Charlie Chaplin released his second feature film,
A Woman of Paris. Although this film
is all but forgotten because Chaplin is remembered for his classic comedies,
there is a lot of value in this rare drama from one of the greatest clowns of
the silent era. Chaplin had wanted to create a serious drama for his long time
leading lady Edna Purviance, who had starred alongside him in a great number of
comedies. As she got older and more mature, he felt she was no longer suited to
comedic roles.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Adolphe Menjou. Show all posts
Showing posts with label Adolphe Menjou. Show all posts
Tuesday, March 27, 2012
Wednesday, October 20, 2010
Classic Movie Review: Stanley Kubrick's Paths of Glory
The boast of heraldry, the pomp of pow'r,
And all that beauty, all that wealth e'er gave,
Awaits alike th'inevitable hour.
The paths of glory lead but to the grave.
Awaits alike th'inevitable hour.
The paths of glory lead but to the grave.
--“Elegy Written in a Country Courtyard” by Thomas Gray (1716 – 1771)
I can think of three significant cinematic uses of “La Marseillaise,” the French National Anthem. Its appearance in Casablanca is defiantly patriotic, induced by Victor Laszlo in Rick’s Café to drown out the singing Germans. It’s sung by the French crowd supporting the Allied prisoner football team at the end of John Huston’s Victory. But Stanley Kubrick is the only film maker to take what might be the most patriotic national hymn and turn it into an ironic statement about patriotic duty.
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