As I’m not in the habit of keeping the lid on a secret
movie ending that’s 45 years old, I suggest you stop reading now if you’ve
never seen and don’t know the ending of Planet
of the Apes. If you also don’t know what Rosebud is or that Holly Martens
faked his own death, then you need to go back to school. Also, Janet Leigh is
killed in the first 40 minutes of Psycho.
I mention these things because they are such well-known and deeply engrained
plot points of famous movies that it’s virtually impossible to have a
discussion about them while maintaining the secret.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Jerry Goldsmith. Show all posts
Showing posts with label Jerry Goldsmith. Show all posts
Wednesday, September 25, 2013
Tuesday, December 4, 2012
The Last Emperor Movie Review: 25 Years Ago
The Last Emperor was released in New York and Los Angeles 25 years ago last month, but received its wide release in December 1987. So I revisit the film in between the two months. Look for a new 25 Years Ago review later this month when I take a look at Steven Spielberg's Empire of the Sun.
What a strange film is Bernardo Bertolucci’s The Last Emperor. Twenty-five years
later it still has a powerful resonance. It remains a gorgeous visual piece
with remarkable costumes, art direction, and set decoration. It helps that the
production was given unprecedented access by the Chinese government to film in
the Forbidden City. I’m not sure any set could stand in as effectively for the
real thing, which is imposing with its mammoth surrounding walls and
impenetrable gates that keep the young emperor locked away for all of his
youth. But here is a historical epic about a man who is not a hero. He made no
great impact on a way of life, or any government, or even a great number of
individuals for that matter. Although the story is about the man who happened
to be the last imperial ruler of the old feudal China, it is really a
historical view of a China in transition to a Republic and then a Communist
state, with a passive hero at its center.
Wednesday, October 31, 2012
Modern Classic Movie Review: The Silence of the Lambs
I probably saw this movie sometime when I was in high school. I was fairly familiar with it and I found it pretty damn frightening. It's not quite a horror movie in the same vein as a slasher film, but I thought it worth including because it's a variation on horror and it was part of my childhood and youth.
Click here for a list of all other films reviewed and considered for this October 2012 series of horror reviews.
Click here for a list of all other films reviewed and considered for this October 2012 series of horror reviews.
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The killer's gaze is turned back on the audience, turning the power structure of the horror film around. |
The Silence of the
Lambs turns the serial killer and slasher film genre on its head by
crafting the most compelling character not as the killer whom the FBI is
hunting, but as the already convicted Hannibal Lecter, who sits in a basement
cell and may have crucial information to help them catch their man. More
remarkable than that is that everyone remembers Lecter as this imposing and
frightening villain, a role that helped Anthony Hopkins win the Best Actor
Oscar, but he is on screen for all of 16 minutes. That speaks to the power of
seduction that he possesses.
Wednesday, October 17, 2012
Horror Classic Movie Review: Poltergeist
I remember watching this quite young because it was a popular movie when I was a kid and my whole family watched it, I think. Of course, I identified with the boy in the film and I even had a tree outside my bedroom window.
Click here for a list of all other films reviewed and considered for this October 2012 series of horror reviews
My memories of Poltergeist
resonate from my childhood when I was scared almost senseless by the
supernatural spirits that haunt the Freeling household in a California suburb.
As I watched it again many years later I realized that probably as a child I
saw my own family in the Freelings. There’s Diane (JoBeth Williams), who is a
housewife raising three kids: the teenaged Dana (Dominique Dunne); middle child
Robbie (Oliver Robins) and the five or six year old Carol Anne (Heather O’Rourke).
Steven (Craig T. Nelson) is a local realtor and stalwart Dad who wants to
protect his family. I must have been about Carol Anne’s age when I first saw
the film. I have an older brother and sister just like she does and my parents
were also in their mid-30s back then. I even had a large tree growing outside
my bedroom window just to cap off the similarities.
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