At one point in Drive
a character makes a snide comment about the movies he used to produce being
“European,” as if that’s automatically understood to mean pseudo-intellectual
garbage. It’s an ironic comment and one of the myriad ways director Nicolas
Winding Refn thumbs his nose at Hollywood. Drive
may flaunt its gorgeous matinee idol of a lead (Ryan Gosling), its car chases
and violent action (all hallmarks of popular American cinema) but everything
else about it screams European, from its 80s retro tone and soundtrack to the
abundance of slow-motion and dearth of talk.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Ron Perlman. Show all posts
Showing posts with label Ron Perlman. Show all posts
Thursday, October 27, 2011
Drive Movie Review: Ryan Gosling as Swarthy Thug
Friday, March 4, 2011
Tangled Movie Review: Hardly a Disney Classic
Say what you want about Disney, and I could say plenty, but their classic animated films provide wonderful entertainment based on centuries-old classic tales. Even if they instill backward, “some day my prince will come” attitudes, they touch something in children that draws them into the stories. Throw in some great musical numbers and audiences walk out humming songs that will eventually be counted among the great movie songs of all time.
Their latest animated musical, Tangled, eschews the hand drawn look popularized during Disney’s heyday in favor of computer animation. It’s rather surprising that it took more than 80 years and 50 animated feature films for Disney to get around to the Grimm Brothers’ story of Rapunzel. It’s one of the classic princess stories along with Snow White, Cinderella and Sleeping Beauty, all of which were canonized by the Mouse House more than 50 years ago. Of course this isn’t the studio’s first computer animated feature, but it is the first done in the narrative style (complete with musical numbers) of their most memorable films.
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