The whole plot of the latest Mission: Impossible film, subtitled Rogue Nation, and directed by Christopher McQuarrie, who also wrote
the screenplay and is involved in one way or another in just about everything
Tom Cruise stars in these days, hinges on the usual MacGuffin device. In this
case it’s a cache of data that will give financial support to an international
crime organization known as The Syndicate. They are essentially the
anti-Impossible Mission force, comprised of agents from all over the world who
disappeared, presumed dead, over the last several years. The thing is, the data
can be accessed using fingerprint and voice ID of only one person – the Prime
Minister of Britain! I mean, there’s security and then there’s just plain
stupid and ineffective. What happens if the PM suddenly dies? What if he
resigns? What if he’s revealed to be greater than Nixon levels of corrupt?
Anyway, this is just a minor logical inconvenience o the way to a
cleverly-crafted sequence that results in the kidnapping of the Prime Minister.
And clever set pieces are the stock in trade of the Mission: Impossible series.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Christopher McQuarrie. Show all posts
Showing posts with label Christopher McQuarrie. Show all posts
Saturday, October 3, 2015
Sunday, December 30, 2012
Jack Reacher Movie Review
It has been so long since I’ve been both truly surprised
and genuinely thrilled at the movies that I’d almost forgotten the feeling, but
Jack Reacher reminded me of exactly
the reason why I love sitting in a darkened cinema several dozen times a year.
It is not the best movie I’ve ever seen. It’s not even the best movie I’ve seen
this year. But it did exactly what I expect an action thriller to do and it did
it competently, excitingly, originally, and without pandering to the lowest
common denominator audience members. I loved this movie. I loved it almost
unequivocally. I loved it for all the reasons it could have been a standard
genre film, but wasn’t. Loved it for all the ways it managed to enthrall me
from one minute to the next. Christopher McQuarrie, who wrote the hugely
popular (though not well-liked by me) The
Usual Suspects, adapted the story from the eponymous character created by
author Lee Child and more specifically from one of the sixteen books featuring
Jack Reacher as the main character.
Sunday, January 2, 2011
The Tourist Movie Review: Old Hollywood Style Glamour and Mystery
There are European directors who toil away for years before attaining any Hollywood recognition and many of them go on to successful State-side careers. Very rarely a director strikes it big with his debut. Florian Henckel von Donnersmarck won the Oscar for Best Foreign Language Film for his first feature film, the brilliant The Lives of Others. Now you can see his follow-up, The Tourist, a star vehicle for Johnny Depp and Angelina Jolie. It is decidedly mainstream, albeit with what many would call a European sensibility.
With Christopher McQuarrie, who penned The Usual Suspects, as one of the credited screenwriters (along with von Donnersmarck and Gosford Park scribe Julian Fellowes) it may come as no surprise that the plot harbors a few secrets and maybe a twist, which you’ll see coming a mile away if you’re even remotely well-versed in the tropes of the spy genre, as Frank Tupelo (Depp’s character) is.
Subscribe to:
Posts (Atom)
Everything I Saw in the 2nd Half of 2025
30 Dec. Hamnet (2025) [cinema]* 28 Dec. #4133 Song Sung Blue (2025) [cinema] 25 Dec. #4132 Marty Supreme (2025) [cinema] 16 Dec. #4131...
-
This film will open commercially in the United States on 22 April 2011. Immediately after being born, an infant child is tattooed ...
-
The financial crisis that started in 2008 is far too complicated to explain in one 2 hour dramatic film. The experts on the subject can h...
-
Wes Anderson’s filmmaking style has evolved over the years to such extremes of whimsical fantasy that to revisit his second feature, 1998...

