Whatever stage in life he’s at, Noah Baumbach has not
stopped writing characters who fret about their own lives, where they’ve been,
and where they’re headed. I get the feeling he’s a man who is always in tune
with some level of dissatisfaction with his life. One shouldn’t confuse that
with unhappiness. I think it’s probably natural to wonder about what you’ve
done, the choices you’ve made, and whether you could be doing something better
or more important. What separates Baumbach from most other people is that he’s
attuned to those feelings probably in everyone around him. That’s why he’s so
good at writing dialogue and characters that so precisely and concisely sum up
complex emotions.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Noah Baumbach. Show all posts
Showing posts with label Noah Baumbach. Show all posts
Wednesday, April 29, 2015
Thursday, June 6, 2013
Frances Ha Movie Review
Noah Baumbach came up as a filmmaker during the early 90s
indie boom. His Kicking and Screaming
is not only a personal little love letter to life after liberal arts college
(Baumbach went to Vassar), but a wonderful addition to the stream of
interesting indie hits of that era. Since then he’s been sporadic in his
artistic success and has occasionally gone wider in scope and employed big
names like Jeff Daniels and Ben Stiller in his films. But with Frances Ha he triumphantly returns to
the creative fertile grounds of that 1990s indie style.
Tuesday, June 26, 2012
Kicking and Screaming Movie Review
Watching all those Whit Stillman movies a couple of months ago got me thinking again about Kicking
and Screaming, a movie about four friends recently graduated from college,
which I hadn’t seen since I was their age. It was Noah Baumbach’s first feature
film (he shares a story credit with Oliver Berkman), made on a fairly low
budget in the mid-90s when low budgets were sheik, and features the actor Chris
Eigeman, whose presence is part of what connects the movie in my mind to
Stillman’s work. That and similar writing styles that focus on educated
characters who speak literately and engagingly on a variety of topics.
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