“Greed is good.” So says Gordon Gekko (Michael Douglas) in Wall Street, in one of the most famous 80s cinematic speeches when he attempts to save his position as an investor trying to leverage more profit out of Teldar Paper. The line is oft quoted, oft cited as one of the greatest or most memorable lines in movie history, but most significantly it’s held aloft as the prime example of what was wrong with corporate America in the 1980s. And Gekko is viewed as the epitome, the representative on the screen of the worst elements of capitalism.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Robert Richardson. Show all posts
Showing posts with label Robert Richardson. Show all posts
Sunday, October 17, 2010
Saturday, September 25, 2010
Martin Scorsese's Shutter Island Movie Review
It’s hard to avoid seeing the parallels between Shutter Island and Inception, Leonardo DiCaprio’s two films from this year. Both deal heavily with illusion versus reality and the way we perceive the world. They both deal with madness, the former more than the latter. In both films the driving force behind DiCaprio’s characters’ actions is the tragic loss of his wife. And the soundtracks of both films are characterized by the droning sound of low horns in the orchestra, which in this film is a reminder of a ship’s foghorn. Although the two films have similarities in their subject matter, they could hardly be more different in terms of tone and directorial approach.
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97th Academy Awards nomination predictions
Best Picture Anora The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez A Real Pain Sing Sing The Substance Wicked Best Dir...
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This film will open commercially in the United States on 22 April 2011. Immediately after being born, an infant child is tattooed ...
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The financial crisis that started in 2008 is far too complicated to explain in one 2 hour dramatic film. The experts on the subject can h...
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Wes Anderson’s filmmaking style has evolved over the years to such extremes of whimsical fantasy that to revisit his second feature, 1998...