Lincoln Movie Review

2300 years ago Euclid proclaimed as one of his common notions that things equal to the same thing are also equal to each other. This is a founding principle of geometry and necessary for the beginnings of modern engineering. It seems self-evident, doesn’t it? Of course Thomas Jefferson held it self-evident that all men are created equal and endowed with unalienable rights such as liberty, yet he was himself a slave owner. In Steven Spielberg’s masterful biopic Lincoln, the 16^th President and drafter of the Emancipation Proclamation tries to rely on Euclid’s notion to help him in his decisions regarding slavery that will impact the United States and the terrible Civil War that was entering its fifth bloody year.

The Sessions Movie Review

One of the universalities of being human, one important thing that sets us clearly apart from the rest of the animals, is the pleasure, both physical and emotional, derived from sex. To make that physical connection with another person is a rite of passage we set for ourselves early on. It’s a mark that nearly every teenager desperately wants to reach. What if you were stricken with polio as a boy, your body left stiffened by a disease that wreaks havoc on your muscles? You’re not exactly paralyzed in the way most of us understand that condition because you have normal sensory perception throughout your body. You just can move anything. What if you reached middle age never having felt the exultation joining together sexually with another person? This is the beginning of the story in The Sessions, a true story about poet and journalist Mark O’Brien, who was also the subject of an Oscar-winning short documentary called Breathing Lessons in the late 90s. O’Brien documented his quest to lose his virginity in an article titled, “On Seeing a Sex Surrogate.”

Martha Marcy May Marlene Movie Review

Marth Marcy May Marlene is a grim, almost nihilistic portrait of a young woman indoctrinated by a cult with a powerfully coercive leader. The title refers to the woman’s three names she goes by. Her real name, used only by her sister and brother-in-law, is Martha. Marcy May is the name given to her by Patrick, just one of many ways in which he establishes a paternalistic stronghold over the young women on his farm and a method of stripping their old identity from them to mold them into his personal harem. Marlene is the name they all use when answering the phone.

John Cusack focus concludes with Review of Identity

It can be a really effective premise to confine your characters to a single location fort eh duration of the drama. The ancient Greeks were certainly aware of this as a narrative device. It can work best in a thriller and there are many that throw a bunch of people together for a single night and then dispatch them one by one.

James Mangold’s Identity starts eerily and mysteriously with newspaper clippings of a motel murder and voiceover recordings of a psychiatrist (Alfred Molina) talking to the alleged perpetrator. Then suddenly we’re thrust into a motel office as a man bursts in holding his bleeding wife shouting at the clerk to call an ambulance. Then in overlapping flashbacks we see the sequence of events, involving a young call girl, a limousine driver and an aging movie star, and a young boy who never speaks, that led to the accident. Because of a terrible rain storm that has washed out the road in both directions, all these characters and more wind up at the motel together.

Contagion Movie Review: Sanitize Your Hands, Cover Your Mouth

How disease can spread without your knowing it.

Leave it to director Steven Soderbergh to take a worn out movie premise and zap us with a unique take. How many iterations of the global pandemic film can we take? That’s what I thought when I saw the ads for Contagion, which rather unfortunately make the film look much more like an action thriller than it really is. Soderbergh, working from an original screenplay by Scott Z. Burns, guts the genre of just about everything we expect. There are no chases. There’s no government cover up, though one particularly repugnant character hints at one. There’s no thumping and pounding musical score. There’s no child in danger (actually, a young child is dispatched early on with very little fanfare and no time for reflection) and no last minute rescue or rush to manufacture a vaccine to save the world.

Winter's Bone Movie Review: An Unusual Slice of Americana in One of the Best Films of the Year

Wikipedia tells me that the novels of Daniel Woodrell have been dubbed “country noir.” That would certainly be a fitting term for the film adaptation of his novel Winter’s Bone. Adapted by Debra Granik and Anne Rosselini and directed by Granik, the film presents a slice of life so distinctly American it belongs in the canon along with The Godfather or The Grapes of Wrath.