There are two central characters in The Theory of Everything, the Stephen Hawking biopic directed by
James Marsh and adapted by Anthony McCarten from the memoir by Hawking’s
ex-wife Jane. Stephen and Jane are equal partners in screen time and emotional
heft in the story. This is less a biopic that gets into the inner workings of a
genius mind and his struggle to continue working during a debilitating illness
than it is a love story about two people overcoming the terrible weight of that
illness on their lives.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Eddie Redmayne. Show all posts
Showing posts with label Eddie Redmayne. Show all posts
Sunday, January 4, 2015
Friday, January 4, 2013
Les Miserables Movie Review
I saw Les
Miserables on Broadway as part of a class trip in sixth grade. There are
three observations I’d like to make after seeing Tom Hooper’s new film
adaptation, with a screenplay by William Nicholson, of the stage musical. The first is that I’m surprised a public
school took eleven-year olds to a play that features prostitution, suicide as a
means of atoning for lack of mercy, and the innuendo-laced number “Master of
the House.” The second is that the show must have made quite an impression on
me because, although I only saw it that once, I have several vivid memories of
the staging of certain scenes. The final observation, and the most noteworthy,
is that it is a damn fine musical. It’s got some riveting numbers, many of them
as emotionally moving as anything in the history of great musicals. Yes, it
occasionally suffers from one of my biggest pet peeves about some musicals:
lyrics that narrate action. But as in the great tradition of opera, Les Miserables is a sung-through show
with hardly any spoken dialogue. When it’s on point, however, as in the songs
that focus on the expression of deep emotion, it is thrilling and moving.
Thursday, December 1, 2011
My Week With Marilyn Movie Review
Has there ever been a movie star like Marilyn Monroe? My
lifetime doesn’t come anywhere close to any time that she was alive so it’s
hard to fully understand the attention that she drew and the madness of her
celebrity. All I know is what’s been written about those times and what little
I’ve seen of documentary footage of her in crowds. Is it anything like the
fervor exhibited over a sighting of Leo, George or Brad? I think there’s a
great difference between the way we viewed celebrities then and now. The rarity
of bearing witness to something in the private life of a celebrity then is
nothing compared to the ubiquity of celebrity gossip, sightings, paparazzi
photos and such today. We didn’t know (or feel like we know) celebrities then
like we do now. Marilyn’s popularity, however, was about much more than public
interest in a movie star. She had qualities most women would have died for: she
was beautiful, voluptuous, dazzling, sexy and sultry. She was a true classic
star, a fact that Simon Curtis’s debut feature My Week With Marilyn is acutely aware of.
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