Showing posts with label Tom Hardy. Show all posts
Showing posts with label Tom Hardy. Show all posts

Tuesday, June 17, 2014

Black Hawk Down Movie Review

As I rewatched Ridley Scott’s Black Hawk Down for the first time I more than a decade, two other war Berchtesgaden more than a year later. The similarities are numerous. Both are based on books that attempted to recount, in as much factual detail as possible, the events surrounding are large contingent of American soldiers in conflict. Both were released toward the end of 2001, coinciding with post-9/11 American jingoism. Both focus heavily on the responsibility soldiers in combat feel toward each other more than to the ideology or politics behind the war. And both unflinchingly portray some of the horrors and carnage of war. The other is the more recent Lone Survivor, whose primary focus is on the fact of soldiers in harm’s way pulling for each other. The latter film has faced criticism for being a form of war porn, which you could also say to some extent about Scott’s film. But I think the positives to take away from all three far outweigh any negative observations regarding the depiction of blood and guts in battle scenarios.

Thursday, October 4, 2012

Short Cut Review: Lawless

Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.

Tom Hardy is menacing and vicious as one of three brothers who run a moonshining operation in the hills of Virginia in 1930. Shia LaBeouf is not nearly as annoying as usual and plays just about the only character in the film who undergoes any kind of change. Guy Pearce gives an odd performance as a Chicago lawman trying to shut down the brothers' operation. Jessica Chastain again reveals her fantastic acting talent and old-Hollywood dame-like charm. She looks and acts like she stepped straight out of a 1940s noir. The film carries a constant sense of dread. I felt uneasy through the whole thing, expecting shocking violence to strike at any moment. Hillcoat demonstrates again he's a more than apt director for depicting the violence that men inflict on one another.

Friday, August 10, 2012

The Dark Knight Rises Movie Review

I’m not ready to jump on the bandwagon of The Dark Knight Rises. Before I get labeled a hater or someone who badmouths Hollywood movies for the sake of it, let me point out I was a big fan of both Inception and The Dark Knight. It is true I dislike most big budget action films, but not for the sake of setting myself apart from the masses. It’s because they are so often so bad. The world was geared up to love The Dark Knight Rises. It’s been built up immensely. Everyone – not just Christopher Nolan and Warner Bros. – has significant investment in its success. If you hate the third part, what does that say about your love for the first two? We are primed to enjoy this final chapter in the trilogy. I’m afraid my primer didn’t take.

Thursday, January 12, 2012

Tinker Tailor Soldier Spy Movie Review

If you find yourself asking “What happened?” at the end of Tinker Tailor Soldier Spy, don’t assume you’re alone. This is not because it’s confounding to the point of being indecipherable, but rather for its insistence on avoiding the clichés of spy thrillers that we’ve grown so accustomed to.

To summarize the plot could take all day. Based on the John le Carré novel, the story is set at the upper echelons of British Intelligence in the thick of the Cold War, when Britain and Russia each had spies working to subvert the other and each likely had moles working in the other’s foreign office. Le Carré knows something about British Intelligence, having worked there for many years before retiring and devoting himself full time to writing spy thrillers. His work is the antithesis to Ian Fleming’s James Bond series, which rely heavily on action and thrills, where Bond’s moral clarity is rarely, if ever, questioned. The characters that le Carré creates live in a world of moral ambiguity. Their conflicts are within their own offices and directed internally much more than toward any foreign power. That this story involves the presence of a well-placed mole at the top of British Intelligence is just par for the course.

Saturday, September 24, 2011

Warrior Movie Review

I might describe Warrior as equal parts Rocky and Miracle. In fact, during the final contest we even hear the sports commentator shout something akin to the famous, “Do you believe in miracles?” spoken by Al Michaels at the close of the 1980 “Miracle on Ice” when the USA defeated the Soviet Union in ice hockey in the Lake Placid Olympics. Miracle, based on that event, was also directed by Gavin O’Connor, the helmsman of Warrior.

Wednesday, September 1, 2010

Inception Movie Review

A unifying theme has slowly emerged from the film work of Christopher Nolan. He is fixated on the idea of perception and the conflict of illusion vs. reality. In Memento, a man believes he can be sure of certain facts despite being incapable of creating new memories after about 15 minutes (in the end we learn his foolproof system allows for self-delusion). Insomnia looks at the effects of sleep deprivation on the conscious mind and The Prestige is about the way people can be deceived by distracting the mind with misdirection. Nolan’s latest film, Inception, perhaps shares more in common with his first feature than with anything else in his impressive body of work. But for the chance at a spoiler I shall say no more than that.

97th Academy Awards nomination predictions

Best Picture Anora The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez A Real Pain Sing Sing The Substance Wicked Best Dir...