As I rewatched Ridley Scott’s Black Hawk Down for the first time I more than a decade, two other
war Berchtesgaden more than a year later. The similarities are numerous. Both
are based on books that attempted to recount, in as much factual detail as
possible, the events surrounding are large contingent of American soldiers in
conflict. Both were released toward the end of 2001, coinciding with post-9/11 American
jingoism. Both focus heavily on the responsibility soldiers in combat feel
toward each other more than to the ideology or politics behind the war. And
both unflinchingly portray some of the horrors and carnage of war. The other is
the more recent Lone Survivor, whose
primary focus is on the fact of soldiers in harm’s way pulling for each other. The
latter film has faced criticism for being a form of war porn, which you could
also say to some extent about Scott’s film. But I think the positives to take
away from all three far outweigh any negative observations regarding the
depiction of blood and guts in battle scenarios.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Tom Hardy. Show all posts
Showing posts with label Tom Hardy. Show all posts
Tuesday, June 17, 2014
Thursday, October 4, 2012
Short Cut Review: Lawless
A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
Tom Hardy is menacing and vicious as one of three brothers who run a moonshining operation in the hills of Virginia in 1930. Shia LaBeouf is not nearly as annoying as usual and plays just about the only character in the film who undergoes any kind of change. Guy Pearce gives an odd performance as a Chicago lawman trying to shut down the brothers' operation. Jessica Chastain again reveals her fantastic acting talent and old-Hollywood dame-like charm. She looks and acts like she stepped straight out of a 1940s noir. The film carries a constant sense of dread. I felt uneasy through the whole thing, expecting shocking violence to strike at any moment. Hillcoat demonstrates again he's a more than apt director for depicting the violence that men inflict on one another.
Friday, August 10, 2012
The Dark Knight Rises Movie Review
I’m not ready to jump on the bandwagon of The Dark Knight Rises. Before I get
labeled a hater or someone who badmouths Hollywood movies for the sake of it,
let me point out I was a big fan of both Inception
and The Dark Knight. It is true I
dislike most big budget action films, but not for the sake of setting myself
apart from the masses. It’s because they are so often so bad. The world was
geared up to love The Dark Knight Rises.
It’s been built up immensely. Everyone – not just Christopher Nolan and Warner
Bros. – has significant investment in its success. If you hate the third part,
what does that say about your love for the first two? We are primed to enjoy
this final chapter in the trilogy. I’m afraid my primer didn’t take.
Thursday, January 12, 2012
Tinker Tailor Soldier Spy Movie Review
If you find yourself asking “What happened?” at the end
of Tinker Tailor Soldier Spy, don’t
assume you’re alone. This is not because it’s confounding to the point of being
indecipherable, but rather for its insistence on avoiding the clichés of spy thrillers
that we’ve grown so accustomed to.
To summarize the plot could take all day. Based on the
John le Carré novel, the story is set at the upper echelons of British
Intelligence in the thick of the Cold War, when Britain and Russia each had
spies working to subvert the other and each likely had moles working in the
other’s foreign office. Le Carré knows something about British Intelligence,
having worked there for many years before retiring and devoting himself full
time to writing spy thrillers. His work is the antithesis to Ian Fleming’s
James Bond series, which rely heavily on action and thrills, where Bond’s moral
clarity is rarely, if ever, questioned. The characters that le Carré creates
live in a world of moral ambiguity. Their conflicts are within their own
offices and directed internally much more than toward any foreign power. That
this story involves the presence of a well-placed mole at the top of British
Intelligence is just par for the course.
Saturday, September 24, 2011
Warrior Movie Review
I might describe Warrior
as equal parts Rocky and Miracle. In fact, during the final
contest we even hear the sports commentator shout something akin to the famous,
“Do you believe in miracles?” spoken by Al Michaels at the close of the 1980 “Miracle
on Ice” when the USA defeated the Soviet Union in ice hockey in the Lake Placid
Olympics. Miracle, based on that
event, was also directed by Gavin O’Connor, the helmsman of Warrior.
Wednesday, September 1, 2010
Inception Movie Review
A unifying theme has slowly emerged from the film work of Christopher Nolan. He is fixated on the idea of perception and the conflict of illusion vs. reality. In Memento, a man believes he can be sure of certain facts despite being incapable of creating new memories after about 15 minutes (in the end we learn his foolproof system allows for self-delusion). Insomnia looks at the effects of sleep deprivation on the conscious mind and The Prestige is about the way people can be deceived by distracting the mind with misdirection. Nolan’s latest film, Inception, perhaps shares more in common with his first feature than with anything else in his impressive body of work. But for the chance at a spoiler I shall say no more than that.
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