Classic Movie Review: The Good, the Bad, and the Ugly

My memory of watching The Good, the Bad, and the Ugly the first time was that it was long and good, but felt more like work than enjoyment. Fifteen years later my view is completely different. This is a masterful piece of filmmaking, a movie that plays with genre expectations and is humorous, violently playful, serious, and all-around entertaining. I’m not sure what didn’t strike me about it the first time.

The Untouchables Movie Review: 25 Years Ago This Month

In honor of this film's 25th Anniversary, here's a fresh look at a film I've seen several times before, but not in many years.

Kevin Costner was not yet a box office superstar when he landed his first big role in Brian De Palm’s The Untouchables, playing the Treasury Department golden boy Eliot Ness, the law man who got Al Capone. He was so much not yet a star that the first shot of him in the film he has his back to camera for the majority of the scene. It is his wife Catherine, played by Patricia Clarkson in her film debut, who gets all the face time in the scene. This is actually the second scene in the film following the bombing of a Chicago business establishment by one of Capone’s henchmen, the blast taking a 10-year-old girl as collateral damage.

Classic Film Review: Roland Joffe's The Mission

As a staunch non-believer I’ve only ever encountered two films that gave me a sense of what religious fulfillment is. Not that I was spiritually awakened or felt a desire to convert – nothing of the kind – but that the film was so skilled at conveying the significance of faith in God’s love without being preachy, that I understood through character development and acting what it is to find redemption and peace. And isn’t that what the vast majority of narrative cinema is about? It’s meant to provide you a glimpse into other people’s lives for a couple of hours and make you believe in their beliefs.

The first of these was The Mission, directed by Roland Joffe, and winner of the Palme d’Or at the 1986 Cannes Film Festival. I first watched it many years ago while I was in high school or college and I wasn’t sure if a second viewing so many years later would still produce the same effect in me. The difference this time was that I had greater appreciation for the craft of the film, which most likely subconsciously influenced my original belief that it was a great film.