The Full Monty Movie Review

I wanted to revisit The Full Monty because in my memory, it resides in a place where thruway, but well-made popular entertainments go to die. Every time I’ve considered its pace among five Oscar Best Picture nominees (competing against L.A. Confidential, Titanic, Good Will Hunting, and As Good as It Gets, it was the definition of “it’s an honor just to be nominated.”) Was it also a stroke of incredible good fortune to be nominated? Was it really that good or did it just tickle audiences the right way and have the right wards marketing team to help it fill a niche spot in the category often reserved for light quirky comedies that make a lot of money and get people talking? C.f. Four Weddings and a Funeral and Chocolat.

Wag the Dog Movie Review

In 1997 there was no YouTube, no Facebook, no Twitter. There were message boards, email, websites, maybe some very early blogs, but the dissemination of information and access to reports, accounts, and testimonials, for all that we thought at the time was lightning fast, was nothing compared to today. This thought occurred to me while revisiting Wag the Dog, Barry Levinson’s seventeen-year old film about an invented war fed to the media to distract the public from a Presidential sex scandal two weeks before he hopes to be reelected. In it, Robert De Niro plays Conrad Brean, a kind of independently contracted fixer brought into the White House by Winifred Ames (Anne Heche) to help clean up the mess and potential fallout once the story breaks. So Conrad enlists the help of Stanly Motss (Dustin Hoffman), a big Hollywood producer, to put the pieces in place to sell not just a war, but a whole package and all the emotions and patriotic fervor that come with it, to the public.

From My Collection: Good Will Hunting Movie Review

Good Will Hunting was the first in a series of roles Robin Williams took that became increasingly dark, subversive, and at times questioning the very nature of our existence. It’s easy to see patterns in retrospect and ascribe meaning to them, but I remember it being clear at the time that Williams seemed intent on making a serious mark as a dramatic actor in a range of parts in (often) independent films. The years following Good Will Hunting saw him chase his suicidal wife into limbo as his character negotiated his own afterlife in What Dreams May Come. Later he was the villain in both One Hour Photo and Insomnia. But a lot of that seems to point right back to Gus Van Sant’s 1997 film penned by the wunderkinds Ben Affleck and Matt Damon. Of course the Oscar Williams finally won likely helped earn him more interesting offers and afforded him greater freedom to take risks. But without Sean Maguire, the widowed psychiatrist who helps the title character find himself, he might have continued making more of Hook and Mrs. Doubtfire.

From My Collection: A Modern Classic Movie Review of L.A. Confidential

What studio executive looked at the talent and material coming together on the 1997 adaptation of James Ellroy’s pulp detective novel L.A. Confidential and thought it was a good idea? On paper, it just doesn’t look like it should work. But I guess that’s proof then that studios can’t predict everything based on filmmakers’ resumes, popularity of talent and story material. In L.A. Confidential they had on their hands a 1950s period detective story with an unbelievably complex plot, one that rivals Raymond Chandler for its twists and turns and reversals. It’s true that pulp stories were steaming along in popularity in the late 90s and neo-noir was perhaps starting to make another brief resurgence.

From My Collection: Boogie Nights Movie Review

On big happy dysfunctional family.

From the explosively charged opening tracking shot that introduces most of the major characters to the quietly triumphant closing, Boogie Nights never lets up. It flogs you with an emotional paddle again and again. The ups are sometimes as extreme in their euphoria as the downs are dismal. For me, it is still the most exciting film Paul Thomas Anderson has made. It was only his second feature, but his dialogue is truly second to none and he squeezes in a remarkable amount of character development. He can economize better than any other writer-director working.

Short Cut Movie Review: Scream 2

A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.

Where Scream succeeded, Scream 2 feebly attempted to repeat the formula in sequel mode. The problem is that the formula was already starting to wear thin and show the seams. It takes the premise of the first and transfers it to Sidney’s (Neve Campbell) college, where her new boyfriend (Jerry O’Connell) is obviously a prime suspect in the new spate of murders. Gale Weathers (Courtney Cox) is back covering the story and Deputy Dewey (David Arquette), hobbled though he is by the wounds received the first time around, is prowling the campus making the same dopey observations. The film is also littered with famous faces, most of whom were rising stars at the time, who get dispatched (Sarah Michelle Gellar; Omar Epps; Jada Pinkett; Rebecca Gay Heart; Joshua Jackson; Timothy Olyphant).

Chasing Amy Movie Review: From My Collection

At some point in my adult life I had to come to the sad conclusion, completing my disillusionment, that Kevin Smith is a much better writer than director. In fact, he doesn’t make very good movies. Clerks succeeds because it was all of a time and place: a scrappy little independent low budget film that had some very funny bits. His follow up was not well-received by anyone, but in 1997 Chasing Amy was something of a revelation. At the time I thought it was just about the perfect romantic comedy. Watching it again now for the first time in many years I still think it’s got some wonderful dialogue, keen relationship insights and still sets the bar for the genre, but I recognize how shoddy the filmmaking is.

Important Cinema Anniversaries Marked in 2012

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Grosse Pointe Blank Movie Review

Martin Blank’s biggest problem is that he’s far too intelligent, introspective and philosophical for his profession. Sure, it’s served him well for a few years after a stint in the army and a government job, but now that he’s been invited to his ten year high school reunion, he’s beginning to question his path in life. Was he right when he stood up his high school girlfriend on prom night and disappeared without a trace? Does he want more from life than simply to be a professional killer?

Classic Movie Review: Woody Allen's Deconstructing Harry

The films of Woody Allen tend to be united by several common themes. Just about all of his films deal with love, relationships and infidelity in one way or another. Many of his films are largely viewed as semi-autobiographical. Or at the very least the characters played by Allen seem very much to be variations on his real life persona. Somehow he manages to unite several of these major themes in the hilarious and deeply philosophical Deconstructing Harry.

When last I saw it during its theatrical release in 1997 I was a Woody Allen amateur. More than a decade later I’ve seen all but one of his 39 feature films, so revisiting it now was quite a treat. It’s still one of most sharply funny movies, written in dialogue littered with great wit and insight.

Allen plays Harry Block, a writer suffering from writer’s block as he prepares to accept an award from his old university. In the meantime, he spends time reflecting on his past wives and girlfriends, the cheating, the deceit and also the characters in his book, who very closely parallel real life.