Sunset Blvd. is probably director Billy Wilder’s best film, but when you’re talking about a man who made Some Like It Hot, The Apartment, The Lost Weekend, Stalag 17 and Double Indemnity, you’re really just splitting hairs with a statement like that. As with most of the best films throughout history, it is great not only because every element is part of a unified vision that coalesces into a finished product, but also because it employs several groundbreaking techniques to achieve its goal. There’s a reason why it’s ranked 32 (at the time of writing) on the IMDb’s Top 250 and has made the top 20 American films on lists prepared by the AFI. It’s also had two lines consistently singled out as among the most memorable in film history: “I am big. It’s the pictures that got small;” “All right, Mr. DeMille. I’m ready for my closeup.”
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Nancy Olson. Show all posts
Showing posts with label Nancy Olson. Show all posts
Friday, October 15, 2010
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Everything I Saw in the 2nd Half of 2025
30 Dec. Hamnet (2025) [cinema]* 28 Dec. #4133 Song Sung Blue (2025) [cinema] 25 Dec. #4132 Marty Supreme (2025) [cinema] 16 Dec. #4131...
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Back in 1996 I was truly taken in by Barry Levinson’s Sleepers , adapted from Lorenzo Carcaterra’s allegedly autobiographical novel relat...
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The financial crisis that started in 2008 is far too complicated to explain in one 2 hour dramatic film. The experts on the subject can h...
