Full Metal Jacket
is the only war movie that has ever terrified me. When I was a kid it had
virtually the same effect on me as a horror movie. That makes some sense if you
think about it. What isn’t scary about war? Aren’t war movies that claim to be
anti-war more than a bit disingenuous? Depicting the viscera of bodies blown
apart or the heart pounding excitement of bullets flying turns war into
entertainment. There’s almost no way around it. Once it’s been staged and
committed to film you almost can’t avoid the accusation that you’re glorifying
war.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Showing posts with label Stanley Kubrick. Show all posts
Showing posts with label Stanley Kubrick. Show all posts
Saturday, June 16, 2012
Wednesday, October 20, 2010
Classic Movie Review: Stanley Kubrick's Paths of Glory
The boast of heraldry, the pomp of pow'r,
And all that beauty, all that wealth e'er gave,
Awaits alike th'inevitable hour.
The paths of glory lead but to the grave.
Awaits alike th'inevitable hour.
The paths of glory lead but to the grave.
--“Elegy Written in a Country Courtyard” by Thomas Gray (1716 – 1771)
I can think of three significant cinematic uses of “La Marseillaise,” the French National Anthem. Its appearance in Casablanca is defiantly patriotic, induced by Victor Laszlo in Rick’s Café to drown out the singing Germans. It’s sung by the French crowd supporting the Allied prisoner football team at the end of John Huston’s Victory. But Stanley Kubrick is the only film maker to take what might be the most patriotic national hymn and turn it into an ironic statement about patriotic duty.
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