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Aronofsky uses mirrors to visually illustrate Nina's fractured mind. |
Darren Aronofsky is not a director who does anything by halves. His films have an air of the lunatic about them and focus on the ways people mistreat and brutalize themselves both physically and emotionally (although one tends to follow the other). In Pi it was a mathematician descending into madness searching for a universal theorem. In Requiem for a Dream he chronicled the toll drugs (both illicit and prescribed) take on the human body. The Wrestler, his most straightforward narrative film to date, contained elements touching on the physical torment “professional” wrestlers put themselves through.