Cloud Atlas Movie Review

As a film critic I would love to have the luxury of seeing every new film and writing about it. As this is not a paying job for me, I have to pick and choose what I see, mostly based on personal preference, but often choosing films that are popular or important benchmarks. The subject matter of Cloud Atlas hardly interested me, although the filmmakers involved certainly did. The Wachowski siblings, Andy and Lana (formerly Larry) brought us The Matrix trilogy, the first installment of which I think is filled with wonderful vision, a great story, and brilliant use of visual effects. I found Tom Tykwer deeply intriguing as a filmmaker with both Run, Lola, Run and The Princess and the Warrior, although admittedly I know nothing of his work in the past decade. Together these three directors decided to bring David Mitchell’s complicated 2004 novel which involves six stories in different time periods and characters that exist as alternate versions of themselves across time and space.

Modern Classic Movie Review: The Matrix

There are those moments when going to see a new movie in the cinema can allow you to be a witness to a sea change in filmmaking. When The Matrix was released in March 1999 I don’t recall thinking much about it beforehand in the way of anticipation. But when the movie finished, I had but one thought in my head: “Tremendous!”

The Matrix utilized state of the art technology and equipment to employ special effects in ways that augmented the story rather than supplanting it like so much of the effects-driven tripe we see now. Beyond the fantastic look of the film, it’s also a movie that strives to say something interesting. It is philosophical in nature, asking the BIG questions about destiny, technological advancement, the nature of reality and the meanings of these things for humanity. Andy and Larry Wachowski, who wrote and directed the film, are clearly movie and comic book nerds (a term I use without derision) with a solid background knowledge of the classics.