Showing posts with label Don Johnson. Show all posts
Showing posts with label Don Johnson. Show all posts

Tuesday, June 3, 2014

25 Years Ago This Month: June 1989

So in 1988, I believe I saw only two films in the cinema. I quadrupled that number in 1989, two of them arriving to theaters in June of that year. I can't say for sure I saw them right away, but most likely pretty quickly after my school year ended. Remember when superhero movie franchises began once a decade? Superman in 1978, followed by Batman eleven years later, and then Spider Man thirteen years after that? Then after that it just didn't stop. Now there's a new one about every month.

The biggest release of the year, and box office king of 1989, was the Tim Burton-directed Batman starring the unlikely Michael Keaton as the caped crusader and Jack Nicholson as The Joker. Kim Basinger, being a big star at the time, was cast as reporter Vicki Vale, the journalist with the alliterative name who is not Lois Lane. Nicholson was perfectly cast as the maniacal villain and no one could have imagined a better performance of the part until Heath Ledger. Everyone was suspicious, and rightly so, of Keaton as the hero. He was known for his comic roles and he had recently been great in the title role in Burton's Beetlejuice, but I always liked him in the part. I like his aloofness, his ability to deliver the comic lines without coming down on them too hard, and then be serious behind the mask.

Wednesday, January 23, 2013

Django Unchained Movie Review

Quentin Tarantino likes to make movies that he would like to watch. Well, shouldn’t every filmmaker do the same? It’s widely known that Tarantino came up on movies by working in a video store and devouring all the trashy B-movies he could get his eyes on. All of his movies are basically slicked up versions of those same midnight and drive-in classics that were his film education. Spaghetti westerns have served as one of the largest influences on his movies, particularly the Mexican standoffs that tend to occur in the climaxes of films like Reservoir Dogs and Pulp Fiction. In the last decade he has specialized in revenge pictures, with Django Unchained being the latest, this time an American slave revenge fantasy in the style of a cheap spaghetti western.

97th Academy Awards nomination predictions

Best Picture Anora The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez A Real Pain Sing Sing The Substance Wicked Best Dir...