Showing posts with label Stanley Tucci. Show all posts
Showing posts with label Stanley Tucci. Show all posts

Sunday, March 13, 2016

Spotlight Movie Review




Thankfully after the sour taste of Truth, a journalism movie with good intentions but very poor execution and understanding of proper journalism, Spotlight came along to remind us that there are people who get it. They get that investigative journalism can be a tool and a force for change and for good and that the ends in themselves are not always justified even if your story is right, or is most likely right. Good journalism requires good, fair, and accurate reporting. It’s about dogged determination in getting people to talk or reveal secrets. Spotlight, directed by Tom McCarthy and co-written by him and Josh Singer, sis the best movie about the process of investigation and what goes into reporting a story since All the President’s Men.

Thursday, April 2, 2015

The Hunger Games: Mockingjay Part I Movie Review

The Hunger Games: Mockingjay Part I has an unwieldy title thanks to the decision long ago to divide the third book in Suzanne Collins’ trilogy into two movies. Let’s face it, this is a business decision much more than an artistic choice. It’s a means o doubling revenue for a single story. I feel no discussion of this series can be complete without considering that decision.

Friday, December 20, 2013

The Hunger Games: Catching Fire Movie Review

The Hunger Games: Catching Fire does just about everything a studio wants from its sequels. It basically repeats the successful formula of The Hunger Games, but adds a new bevy of recognizable Hollywood faces. The one thing it mercifully resists is ramping up the action. The Hunger Games was an exercise in Gary Ross’s control and his successor Francis Lawrence follows in his footsteps, keeping the majority of the action within the centerpiece installment of the “games” themselves even while the stakes have been greatly increased.

Thursday, October 24, 2013

The Fifth Estate Movie Review

We’ve set up our society in the midst of the digital information age in such a way that we want everything and we want it now and if you have the opportunity to provide something and make an impact, you’d better do it this instant before someone beats you to it. There’s no prize for the guy who sits on an idea and gets beaten to the punch by his competitor. There’s no recognition for having had the idea first. Action counts. News works this way. Because of the Internet and 24 hour cable news there is no longer as much emphasis placed on getting a breaking story right as there is on just getting it out. The result is new reporting that is often shoddy, under-sourced, and sometimes entirely inaccurate.

Thursday, May 17, 2012

Captain America: The First Avenger Movie Review

When Steve Rogers is brought in to a super secret military lab via a secret passage in a Brooklyn shop, you have to ask yourself how efficacious it is to have a super secret military lab replete with doctors, scientists, senators and military police who all had to enter via a secret passage in a Brooklyn shop. Aren’t they at all concerned that anyone spying on them might wonder why none of these several dozen people ever exit this magical retail establishment? All I ask of action movies besides being exciting and fun and written in a way that suggest the screenwriters didn’t sleep walk their way through it, is that the story makes some logical sense on its own terms. For the most part Captain America: The First Avenger passes the last test. The first ones could use a bit of work.

Saturday, April 14, 2012

The Hunger Games Movie Review

I like futuristic dystopia stories for what they suggest about humanity at present and where we are ultimately headed if we continue down certain paths. But I generally like the vision to make some sense. I don’t necessarily demand a lot of back story and exposition to explain how the future became such as it is, but I would like it to make some sense according to what I know of the world today. Even when our real life timeline inevitably reaches the fictional year of some such movie or story and it turns out the vision hasn’t really panned out, in the best ones we can find some parallels and maybe say, “Well, it’s not 100 percent accurate but I can still see it as a possibility.” The year 2001 came and went and although we have yet to develop the capabilities to forge deep space travel as depicted in 2001: A Space Odyssey, we have been to the moon since the film’s 1968 release and humanity has explored (via unmanned probes) the far reaches of our solar system. Blade Runner presents a vision of Los Angeles in 2019 that is not close to coming to fruition, but still looks like a possibility in some more distant future.

Tuesday, February 21, 2012

Margin Call Movie Review

The financial crisis that started in 2008 is far too complicated to explain in one 2 hour dramatic film. The experts on the subject can hardly understand exactly what led to such a tremendous financial crash. Some films have tried to get into it, including documentaries, all of which are too all-encompassing to make much sense or to coalesce the details into something understandable to a layperson.

J.C. Chandor’s Margin Call, however, is a smart little financial drama that takes place basically in the 24 hours before the big crash really started. Chandor, the son of a Wall Street investment banker, and a man who clearly understands a lot more about financial institutions and brokerage deals than I ever will, has crafted a screenplay and a film unlike anything I’ve ever seen on similar topics. Your typical Wall Street drama is so often fast-paced high tension designed to make what is otherwise cinematically uninteresting material more visually arresting. Chandor eschews the bells and whistles for a story that is character based.

Tuesday, July 27, 2010

The Devil Wears Prada Movie Review

The Devil Wears Prada is one of those Hollywood productions based on a best-selling novel, cast with big name movie stars, filled out with great production values, all in service to a lifeless script.

The screenplay by Aline Brosh McKenna is based on the novel (unread by me) by Lauren Weisberger. The basic plot is thus: fresh-faced college graduate Andrea Sachs (Anne Hathaway) seeks idealized position writing articles for a publication such as The New Yorker (it seems no one told Andy that in 2006, print publications were going the way of crank-start cars and anyway, big-time magazines generally don’t hire inexperienced 22-year olds as writers). She gets a (sort-of) lucky break getting hired as the junior assistant to Miranda Priestley (Meryl Streep), a fashion maven and editor-in-chief of Runway fashion magazine. It’s a job “a million girls would kill for” and if Andy can last a year she’ll have her pick of great magazine jobs.

97th Academy Awards nomination predictions

Best Picture Anora The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez A Real Pain Sing Sing The Substance Wicked Best Dir...