It has been so long since I’ve been both truly surprised
and genuinely thrilled at the movies that I’d almost forgotten the feeling, but
Jack Reacher reminded me of exactly
the reason why I love sitting in a darkened cinema several dozen times a year.
It is not the best movie I’ve ever seen. It’s not even the best movie I’ve seen
this year. But it did exactly what I expect an action thriller to do and it did
it competently, excitingly, originally, and without pandering to the lowest
common denominator audience members. I loved this movie. I loved it almost
unequivocally. I loved it for all the reasons it could have been a standard
genre film, but wasn’t. Loved it for all the ways it managed to enthrall me
from one minute to the next. Christopher McQuarrie, who wrote the hugely
popular (though not well-liked by me) The
Usual Suspects, adapted the story from the eponymous character created by
author Lee Child and more specifically from one of the sixteen books featuring
Jack Reacher as the main character.
Reacher is one of those iconic characters who exists only
in popular fiction. He’s an ex-Military Police investigator, raised entirely in
military institutions, who has now become a loner and a ghost. He has no fixed
residence, no credit cards, no driving license, and no steady paycheck. He is
in prime physical condition, has an impeccable memory for details, and a keen
investigative eye for details that other people miss. Oh yeah, and he can ably
dispatch multiple opponents in hand-to-hand combat. There’s been some hay made
by fans of the book series that the Childs character is supposed to be 6’ 5”
and weigh about 220lbs, but he’s played in the movie by the more diminutive Tom
Cruise. What Cruise brings to the role, if not physical size, is a stoicism and
temperament that brings Reacher off the page to full breathing life in a motion
picture. I can’t recall another Tom Cruise role that requires him to smile less
often and never asks him for the Cruise freak out evident when he quits his job
in Jerry Maguire, becomes frustrated
over K-Mart underwear in Rain Man, or
professes his love for Katie Holmes on Oprah’s couch. It’s a classic Tom Cruise
action character because, as usual, he does his own stunts, including a car
chase inspired by Steve McQueen in Bullitt
that should rank indelibly among the best in cinema, but he’s not the action
superman of the Mission: Impossible
series.
That brings me to the realism of Jack Reacher, which depicts fight scenes that hew a little closer
to what you might expect in reality than most action films have conditioned us
to believe. A melee skirmish between Reacher and five opponents in the street
lasts about one-fifth the time it would in most other films. And his final bout
of fisticuffs with his primary target is over before you have a chance to
settle into it, being so accustomed to those final combat scenes lasting
several minutes and involving head blow upon head blow through which the
characters continue to impossibly rise to their feet. When Reacher gets hit
hard in the body, he doubles over and stumbles like any normal man would. He
shows his weariness after feats that require great expenditure of energy. This
is as refreshing as the absence of pounding sound effects to enhance punches
and kicks.
Reacher comes in to assist defense attorney Helen Rodin
(Rosamund Pike) in the investigation of the random killing of five people with
a sniper rifle. We know, because we’ve seen the crime committed at the start of
the film, that James Barr, the man in custody, is innocent of these particular
charges even if his own past contains cold-blooded murder that went unpunished.
Reacher’s personal history with Barr leaves him happy to see Barr imprisoned,
but his sense of fairness and justice compels him to act when he discovers
holes in the investigation. Was this a simple random shooting of innocent
people or was there a specific target? The lead detective (David Oyelowo) and
District Attorney (Richard Jenkins), who also happens to be Helen’s father, are
happy to have an open and shut case with a preponderance of evidence to handily
convict Barr.
Through McQuarrie’s capable writing, Jack Reacher becomes a throwback to a style of filmmaking that
values atmosphere over thrills. As a director, McQuarrie understands that
creating mood through crafty editing, restrained performances, and a
less-is-more writing style generates as much in the way of thrills as the latest
“slam-bang non-stop action thriller,” but it’s so much more satisfying because
the film earns those thrills. I love that the central mystery is not about who committed the crime at the beginning,
but rather why it was committed and
how it will be covered up.
This is a well-made modern film noir that instills
constant feelings of dread and trepidation, partially aided by the presence of
German film director Werner Herzog as the criminal overlord known only as The
Zec (Russian for ‘prisoner’). This is man with the stare of a dead man, a man
who has a past so brutal he once had to chew off his own fingers to survive in
a Siberian gulag. He has an unforgiving sense of loyalty and is one of the most
frightening villains in recent memory. Herzog should play every movie villain.
His sharply accented monotone drone is deeply chilling. He is the perfect noir
villain and the logical extension of McQuarrie’s invention Keyser Söze, who,
seventeen years ago, was a lame attempt at crafting a mysterious and mythical über-villain.
McQuarrie’s screenplay crackles with witty and often
hysterical dialogue. With lines like, “I mean to beat you to death and drink
your blood from a boot,” Reacher often speaks in the hard-boiled style of
classic noir heroes. Lines like that could be played for ironic laughs, but
Cruise utters them with dead-on severity, and we believe his character means it
because he lives by a strict moral code of his own devising. Reacher doesn’t have
a strong character arc and even at the end he continues to make decisions that
most reasonably moral people would find questionable. He’s easy to side with,
which makes him a great movie hero, but McQuarrie gives him complexity. He’s also
not a one-man army. He calls in the help of a gun range owner and ex-Marine,
played by Robert Duvall, for an assist in the final showdown.
At nearly every turn, Jack
Reacher insistently defies genre conventions, from the fight scenes to the
absence of a burgeoning romance between Reacher and Helen – a basic Hollywood
necessity in virtually every action film involving a male hero and a female in
distress. My eyes were constantly fixed on the screen and I was clamoring for
more, which is a refreshing feeling to have in this age of cinematic sensory
overload. If Jack Reacher is to
become a franchise, the only downsides are that Cruise, at age 50, is already
aging out of this type of role, and that it will be extraordinarily difficult
to meet my expectations in a second film.
This is one of the best Tom Cruise movie ever.
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