Documentary films are first and foremost supposed to do
just that – document a story, an event, a person, etc. It tends to be the case
that most documentaries are contemporary and many are a call to action for some
pressing issue that the filmmakers feel strongly about. The recent Oscar
winners An Inconvenient Truth, which
deals with global warming, and The Cove,
about dolphin fishing in Japan, are two examples. Sometimes they tell a story
of events long ago, perhaps bringing to the public’s attention events they
otherwise would have known little to nothing about. Those we might refer to as
historically educational documentaries. These include just about every
Holocaust documentary in existence. Some are just plain good stories and would
make for an emotionally moving experience if adapted into a narrative film.
Last year’s Oscar winner Undefeated
as well as Man on Wire from several
years ago come to mind. But while I sat through How to Survive a Plague, one of this year’s Documentary Feature
nominees, I kept thinking it felt so strangely anachronistic.
It feels like it falls somewhere uncomfortably between
historical document and call to action. By focusing on a grass roots movement
begun in Greenwich Village in the late 80s to push harder for a way of during
or treating people with HIV, it is historical fact fed by raw home video
footage shot back in the day. It’s a story that is, if not quite finished, in a
much later and very different chapter. We know now that HIV is no longer the
death sentence it was 20 years ago. Treatment drugs keep the virus from
replicating and even render it undetectable in the blood. In this sense, the
movement was successful even if there remains much work to be done in the field
of HIV/AIDS research.
What makes this documentary feel so strange is the almost
complete absence of talking head interviews with the key players today. They
are saved for the very end when director David France wants the big emotional
discovery of who survived and lives with the disease and who doesn’t. The
entire story is told from the point of view of archival footage, most of it shot
by the activists themselves. It begins years after the AIDS crisis had already
erupted and while (mostly) gay men were dropping dead at an alarming rate.
Several hundred people decided to do something about it by staging protests and
taking their fight to the pharmaceutical companies, and the FDA, all in the
hope of speeding up drug research and production.
The story of HIV and AIDS has countless victims and
heroes. How to Survive a Plague
narrows its focus somewhat to two men who fought long and hard for better
treatment. There is Bob Rafsky, a divorced gay man dying from the disease, and
Peter Staley, a former Wall Street bonds trader who was diagnosed in 1985 and
left his job to become a full time activist. Writer Larry Kramer also figures
quite heavily. All three were involved in ACT UP, the organization devoted to
education and spurring the government to do more.
France and his co-writers Todd Woody Richman and Tyler H.
Walk structure the film very similar to a narrative docudrama. They follow ACT
UP from their early days and their first protest on Wall Street through a
successful demonstration at the FDA and eventual divide in ranks that led to
the formation of TAG, a second activist group. It’s illuminating to realize
that the drugs that millions of people use today to stay alive might have taken
much longer to be created had it not been for these very vocal individuals
chaining themselves to fences and the like. How much sooner could these drugs
have been created, how many lives saved, if they had acted sooner? More to the
point, I suppose, is to ask what if the government had acted earlier.
And that is a central question in the film. A lot of
trash talk is tossed around directed at both President Reagan and later
President Bush. There is archival footage of Bill Clinton speaking at an early campaign
rally during which Rafsky gave him an insulting heckle from the audience.
Clinton devours him with a serious dressing down. Rafsky later admits he
learned never to get into a sparring match with a Rhodes Scholar. If I have one
quibble with the documentary, it’s the subtle way it implies that the
Republican presidents refused to fund AIDS research and even implemented the
discriminatory immigration policy of not permitting entrance to HIV positive
travelers. They don’t come out directly to say it, but it doesn’t take much
reading between the lines to get the message that they view the Clinton
administration as the savior for putting money into the problem and getting it
done in the 90s. My issue with that is one of failing to understand how big
government functions. The idea that Reagan, Bush, or Clinton had any real
influence on the amount of funding directed at AIDS research strikes me as naïve
at best. Yes, they can direct their agencies to do this or that, but ultimately
their decisions on matters of this kind of science are based on what their
advisors tell them. It seems more than likely that prior to the Clinton
administration, the reasonable advice would have gone into studying the disease
and not into pharmaceutical research. It was an accident of timing, not of
party affiliation that the good drugs came around under Clinton. As for the discriminatory
immigration policy – I understand why it was put in place to begin with at a
time when no one understood the disease and everyone was scared witless by it.
Ultimately President Obama lifted that ban, but George W. Bush started the
process.
A little bit of unnecessary politicization
notwithstanding, How to Survive a Plague
is an inspiring story, but I just felt the whole time like this film should
have been made twenty years ago when it might have made a big difference. Put
into historical context, it’s useful to know now that the eventual discovery of
protease inhibitors as a truly effective treatment method might well have been
speeded up by the efforts of these relatively small in number, but large in
voice, demonstrators.
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