Christopher Guest got a taste for the so-called
mockumentary sub-genre when he wrote and starred in Rob Reiner’s This Is Spinal Tap, the classic comedy
that pretends to be a documentary about an 80s hair metal band. Starting in the
mid-90s, Guest began writing and directing his own mockumentary style films
beginning with Waiting for Guffman,
which focuses on a small town community theater production. My favorite of his
films, however, is Best in Show,
about the quirky characters involved in the fictional Mayflower Kennel Club Dog
Show in Philadelphia.
Though Guest is credited as screenwriter along with
comedian Eugene Levy, the majority of the dialogue was developed through
improvisation on set. Guest’s troupe of actors includes Levy, Jennifer
Coolidge, Jane Lynch, Catherine O’Hara, Fred Willard, Bob Balaban, Parker
Posey, Michael McKean, John Michael Higgins and Michael Hitchcock. They fill
the roles of various players and bigwigs in and around the dog show. Structured
as a faux documentary, it follows several dog owners and handlers on their way
to the Mayflower, while also keeping tabs on a bit of behind-the-scenes at the
arena before the main event.
First we meet Meg and Hamilton, a high-strung yuppie
couple, and their dog Beatrice. They believe Beatrice has been adversely
affected by walking in on them during sex. They are an obvious case of
neurotics projecting their own issues onto those around them – in this case a
pure bred Weimaraner. Levy and O’Hara play Gerry and Cookie Fleck, the owners
of a Norwich Terrier. Gerry is a goofy nerd with possibly less sex appeal than
a pile of stones. Cookie, on the other hand, has a past that is a constant
reminder to Gerry that he has a lot of competition. She can hardly get a drink
in a bar without running into an old boyfriend. McKean and Higgins are the
proud owners of a Shih Tsu. And there’s the two-time defending champion
Standard Poodle handled by the smug Christy Cummings (Lynch) and owned by the
ditzy Sherri Ann Cabot (Coolidge). Some of the biggest laughs come from the dog
show’s commentating duo of Jim Piddock and Fred Willard. Piddock’s character
offers the expertise while Willard provides the color commentary. He plays the
ignorant dope to perfection and has a wonderful and weird set of punch lines,
each one zanier and funnier than the last.
They are, in many ways, a cadre of ridiculous characters
painted in broad caricatured strokes. But Guest doesn’t let his actors or his
audience get off that easily. In spite of their flaws, the majority of the dog
owners and handlers turn out to be quite human. Though they provide a great
deal to laugh at, they are rarely pushed over the brink so that we also care
about them. There’s very little in the way of mean-spiritedness with regard to
anyone in the film. The notable exceptions are the risible Meg and Hamilton.
Parker Posey and Michael Hitchcock let their characters get away from them a little
bit, and Guest as director didn’t do enough to rein it in. Their neuroticism is
cartoonish to the point of being unbelievable at times. My favorite character
might be Harlan Pepper, a good old boy from down south, coming from a long line
of bloodhound breeders, played by Guest himself. As a simple man with an avid
interest in fly fishing and hunting, Harlan would have been an easy target in
the screenplay for derision, but Guest makes him the warmest character in the
movie.
This could have been a movie about any important
competition because the types are, in many ways, universally recognizable. I’ve
never watched the Westminster Dog Show nor do I really have any interest. Best in Show, on the other hand, is
endlessly watchable and often hilarious. I have no way of knowing if the people
who show dogs in those competitions are ever as eccentric as Gerry and Cookie,
as obsessed with winning as Christy, or as insane as Meg and Hamilton, but it
doesn’t matter. Guest isn’t making fun of dog shows as much as he is poking fun
at the people who participate in them.
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