I’m revisiting the original trilogy of Bourne Movies
after seeing Jason
Bourne. I guess that’s backwards, but the inspiration didn’t strike
until I found myself disappointed in the new movie. Seeing how frenetic the
editing was, I felt that Paul Greengrass had taken his style to an extreme. I
didn’t recall that the two he directed were similarly edited.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Tuesday, August 9, 2016
Cafe Society Movie Review
There’s not much left for Woody Allen to say in his
movies, is there? He’s already been walking the same ground for decades,
hitting the same themes and even repeating (or so it feels) zingers and
one-liners. After fifty plus films in as many years, how could he not? He puts
out a new movie every year like clockwork. Sometimes it’s as if he’s going
through the motions and occasionally he gives us something inspired, as with Midnight
in Paris or Blue
Jasmine. His latest is Café
Society, which is far better than the recent misfire of Magic
in the Moonlight but still falling short of genuine genius.
Saturday, August 6, 2016
Jason Bourne Movie Review
Jason Bourne’s story was told through a trilogy of films
that concluded nearly a decade ago. From The
Bourne Identity, which saw Matt Damon playing the title amnesiac trying to
figure out who he was, why people were trying to kill him, and how he was so
capable with his fists, his language, automobiles, and weapons, to the capper The Bourne Ultimatum in which he
remembers everything and handily exposes the CIA program that made him who he
was we saw Damon and director Paul Greengrass (for the two sequels) reinvent
the action spy thriller for the new millennium. Bourne’s story being complete,
the franchise attempted to skew in a different direction with Jeremy Renner
starring. Now Damon and Greengrass have reunited, I suppose catching on to the
popularity of series reboots that have cropped up all over Hollywood in recent
years.
Tuesday, August 2, 2016
Finding Dory Movie Review
The Pixar Animation Studio has been a little hit or miss
with their sequels. The two Toy Story
follow-ups are stellar, but Cars
2 doesn’t even measure up to its predecessor, which wasn’t great to
begin with. Monsters
University carried on the story in a really interesting way, going back
to show us how Mike and sully got where they were. It enriches Monsters, Inc. So who knew what to
expect with Finding Dory? The biggest
error of Cars 2 was the belief that a
great supporting character could be the centerpiece of a movie. Dory Added so
much to Finding Nemo and she was the
most beloved character there. But could her short term memory loss affliction
carry an entire movie?
Friday, July 29, 2016
The Infiltrator Movie Review
The world surely has no shortage of movies about the
international drug trade or about law enforcement using everything in their
arsenal to take down the cartels. There’s also plenty of movies about the
perils of going undercover to take down a criminal organization. The Infiltrator combines both for a
premise that is not especially original, but which is often enthralling. There’s
something about the story of a person who goes into another world pretending to
be something they’re not. There’s the adrenaline rush of going into the danger
zone. There’s the excitement of getting to be someone else for a while leading
a sort of double life. It’s like getting a chance to be someone and do
something that you’re not. Who wouldn’t like the opportunity to see how that
fits? Of course who wants to take with it the possibility of getting killed?
Sunday, July 24, 2016
Everything I saw in the first half of 2016
So I've maintained some consistency through three years.
I watched a total of 79 feature films in the first six months of 2016. 77 of
those were unique features, meaning there were two movies that I repeat viewed
within the six month period. That’s right on par with the last two years. Additionally,
61 of those movies were first time viewings for me. Once again, that’s almost identical
with January – June the previous two years.
Now, where I’ve fallen off is going to the cinema. I saw
only fifteen feature films at the movie theater in the first half of this year.
That’s down from eighteen last year and twenty-two the year before. And when
you consider that I go to the movies a lot in January and February to catch up
with the last of the best from the previous year, that basically means I’ve
seen almost nothing new in the cinema this year. In fact, I’ve seen only five
2016 releases in the cinema through June. My focus has been much more on
watching things at home, saving the time and money it takes to go out, and
catching up on old favorites.
Ghostbusters Movie Review
In this era of reboots, sequels, re-imaginings, and
reinventions, one thing has consistently escaped the Hollywood executives who
greenlight this stuff. They continue to make blockbuster cinema a boys club,
catering to and casting men in most major action and comedy films. But leave it
to Paul Feig, the director of the hysterically funny female response to the
male gross-out comedy – Bridesmaids
– to bring us the female Ghostbusters. A second sequel in the franchise was
part of Hollywood lore for years with talk of Chris Farley being involved
shortly before his death in 1997. But now we finally, at long last, even though
almost no one was demanding it, have a new Ghostbusters
with the all-lady cast of Melissa McCarthy, Kristen Wiig, Leslie Jones, and
Kate McKinnon.
Subscribe to:
Posts (Atom)
97th Academy Awards nomination predictions
Best Picture Anora The Brutalist A Complete Unknown Conclave Dune: Part Two Emilia Pérez A Real Pain Sing Sing The Substance Wicked Best Dir...
-
This film will open commercially in the United States on 22 April 2011. Immediately after being born, an infant child is tattooed ...
-
The financial crisis that started in 2008 is far too complicated to explain in one 2 hour dramatic film. The experts on the subject can h...
-
Wes Anderson’s filmmaking style has evolved over the years to such extremes of whimsical fantasy that to revisit his second feature, 1998...