Important Anniversaries Marked in 2015

* The Oscar winners noted were released in the previous year, but given the award in the year noted.

10 Years Ago (2005)

Pierce Brosnan resigned at James Bond after four films and later in the year Daniel Craig was named as his successor.

Number of films I've seen: 87
My average rating: 6.89 / 10
My best of the year: Cache dir. Michael Haneke
My worst of the year: Fantastic Four dir. Tim Story

directing debuts 
Judd Apatow (The 40-Year Old Virgin)
Lee Daniels+ (Shadowboxer)
Rian Johnson (Brick)
Joss Whedon* (Serenity)

* past Oscar nominee NOT for directing +future Oscar nominee

notable deaths
Playwright and screenwriter Arthur Miller (89)
Director Robert Wise (91)
Actor and comedian Richard Pryor (65)

Top grossing film for the year (domestic): Revenge of the Sith ($380.3  million)
(worldwide): Harry Potter and the Goblet of Fire ($896.9 million)

Academy Award Best Picture winner*: Million Dollar Baby dir. Clint Eastwood

Cannes Film Festival Palme d'Or winner: L'Enfant dir. Jean-Pierre and Luc Dardenne

Movies from my collection
The 40-Year Old Virgin
Brokeback Mountain
Cache
A History of Violence
Match Point
Wedding Crashers

Non-movie related
- Iraq had its first free Parliamentary elections since 1958 on 30 January
- Pope John Paul II died on 2 April
- Pope Benedict XVI elected 265th Pope on 19 April
- Variety revealed the identity of Deep Throat to be FBI Associate Director Mark Felt on 31 May
- Four coordinated bombing attacks in London killed 52 people on 7 July, the day after the city was announced as host of the 2012 Summer Olympics
- Hurricane Katrina made landfall on the Gulf Coast on 29 August

From My Collection: Miller's Crossing

The extent to which I thoroughly enjoy and absolutely love Miller’s Crossing can hardly be put into words. It is by far my favorite Coen brothers film even if I don’t think it their greatest achievement. But I get a thrill every time I watch it, and that’s about ten or a dozen times over a period of nearly twenty years. I think Miller’s Crossing arrived on my radar at a particularly impressionable time in my development as a cinephile. It was pre-Fargo and so prior to the Coens being almost household names. I was also just very recently enamored with Quentin Tarantino, although had yet to discover Sam Raimi. I don’t even think I knew about the Coens as filmmakers yet. Raising Arizona had played on TV and I’d seen it, but I had no idea who was responsible. There was no IMDb in my world yet.

Total Recall Movie Review

It’s funny sometimes to revisit a twenty year old film that had groundbreaking visual effects for its day. In some cases (Terminator 2: Judgment Day comes to mind) the effects look about as good as anything today. More often than not, however, they look more like Total Recall There’s plenty to admire in Paul Verhoeven’s science fiction futuristic mind-bender if you can ignore what looks like cheesy B-movie effects. Then again, that B-movie look is somehow more fitting for the movie. After all, its story is the stuff of classic B-movie science fiction.

Metropolitan Movie Review

On the cinematic evolutionary line after Woody Allen but before Wes Anderson and Noah Baumbach is Whit Stillman. He wrote and directed three films all released in the 90s and then disappeared for 13 years (his fourth film, Damsels in Distress opens this month). As a writer he stands tall among the giants of literate screenplays written by, for, and about educated people. His characters are often reflections of his own upbringing in a world of upper class privilege and Ivy League education. His stories explore issues such as social group dynamics versus coupling, distinctions between social classes, and conservative political values. He’s a writer unafraid to give his characters interesting things to say and have them sound intelligent. If you find yourself occasionally lost, it’s quite possibly because the conversation is centered on something outside your experience.

John Cusack Focus Continues: The Grifters Movie Review

The Grifters is a brilliant little hidden treasure of neo-noir. It’s a film that doesn’t find its way onto anyone’s ‘best of…’ lists, but it is worthy. I knew of its reputation and I’d seen it once before many years ago, but had almost no memory of it. Now I can’t believe what I was missing. If you’re a lover of film noir, The Grifters is a beautifully rendered cross between old-style noir and modern renditions of the genre.

That it takes place in Los Angeles is not only par for the course within the genre, but also integral to the specific thematic elements of the film. L.A. is a mixed bag of old and new. There’s neo-classical architecture juxtaposed with garish modernity. It’s a young city within the context of America, but with a storied history made to seem even older because of the presence of Hollywood, which is able to recreate any time period it wants. How many of the great noir pictures have taken place in southern California? From Double Indemnity to Chinatown and Blade Runner, the genre has plumbed the depths of the city.