Alexander Payne’s second film was a brilliant little gem
called Election, a satirical look at
electoral process through the prism of a high school student council election.
The screenplay was adapted from Tom Perrotta’s novel by Payne and Jim Taylor
and is as true to high school life and character as it is cynically observant
of political ambition.
Reese Witherspoon achieved major breakout success playing
Tracy Flick, the little bundle of gumption and up-start attitude that comes
across as admirable in a teenager, but which has the potential to transition
into an adulthood of stepping on everyone to achieve her goals. Matthew
Broderick plays the popular history teacher, Jim McAllister, who oversees
student government elections. He teaches the students civics and about the
difference between morals and ethics – a line he would do well to consider
later in the film when he manipulates the election results and cheats on his
wife. Mr. McAllister is one of those teachers that students remember their
whole lives. He is dedicated and enthusiastic and truly a stand-up guy, even
standing beside his friend and colleague Dave Novotni after it’s discovered
he’s been having an affair with sixteen-year old Tracy (the one detail I find
sort of unbelievable in an otherwise perfect movie because girls like Tracy are
not typically sexually ambitious and aren’t targeted by men like Dave.
Much as Jim admires Tracy as a student, he can’t help
feeling there’s something off, especially in her running un-opposed for Student
Council president. So he encourages the football quarterback, Paul Metzler “You
Betz-ler!” to stand for election. Jim is a good guy. What’s so fascinating
about this screenplay is the way it establishes him as a protagonist and Tracy
as the antagonist. They share narration almost equally so it’ not a perspective
issue. It’s about character. And Jim is set up early on as a great teacher,
beloved by his students while Tracy is kind of irritating. And all the while
Jim is trying to set Tracy up for failure, we are with him – until you remember
he’s a grown man and she’s a kid. He’s not wrong about her by any means, but
Jesus! She’s a teenager. So Taylor and Payne give us this situation where Jim
is played against Dave as the upstanding teacher who doesn’t have sex with his
students, thus coercing us into siding with him until he commits moral
transgressions in his personal life, forcing us then to question how we view
his behavior in school.
All the while the movie is dealing with character,
ethics, and morals, it is also a pretty hysterical satire. Tracy treats her
running for Student Council as if it were a national campaign for political
office, complete with campaign buttons and a PR photo of her casting her
ballot. And then at the same time it’s an astute vision of high school
students, their relationships, and their teachers. I’ve not seen its equal in
terms of getting details so right. Payne cast most of the characters and all
the extras with local sin Nebraska, where the movie is set. The kids look like
kids. They dress like kids. Even Paul was played by Chris Klein, who was a
non-professional from a local high school. He makes such a strong impression as
the naïve and sweet, but dumb quarterback that Klein went on to a fairly
successful Hollywood career.
I just can’t figure out if the filmmakers bear any
cynically satirical ill-will toward Paul. He’s the one character who is really
lacking any misconduct or questionable ethics. He’s so nice he doesn’t even
feel right voting for himself! But is the fact that he’s so popular yet
continues to be devoid of any substance the point? Then there’s the matter of
Paul’s sister Tammy (Jessica Campbell), who gets into the race as revenge for
her brother going out with the girl she was previously romantically interested
in. Her candidacy is intended as a mockery of the system. She’s a classic
outsider whom students deride and teachers dislike for the subversion she
represents. But her speech is met with resounding applause when she declares
that her first action as president will be to disband student government so the
students no longer have to sit through stupid assemblies.
Sixteen years later this movie remains incredibly funny
and devilishly smart. To watch Witherspoon is to witness a performance that is
near perfection and continues to be about the best work she’s ever done. It’s
lamentable she wasn’t Oscar-nominated for this. It shows real lack of foresight
and imagination on the part of Oscar voters, who went with the unmemorable
choices of Julianne Moore in The End of
the Affair, Janet McTeer in Tumbleweeds,
and Fernanda Montenegra in Central
Station. Maybe I’m not being entirely fair because those are astounding
performances, but in movies that offered far less richness and lasting effect.
As Alexander Payne has grown throughout his career, his
films have become more polished and bigger-budgeted, but no less personal. The
affection for character details and refusal to pander is still one of the
greatest calling cards of his writing and directing. But as much as I admire About Schmidt or Nebraska, nothing is as warm in my memory as Election.
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