Teen angst - ouch |
Short Term 12
is like an after school special made to resemble a film. It has all the
subtlety and nuance of those low-budget programs designed to teach a lesson or
draw attention to a common teen problem. I just couldn’t believe I was seeing
the same ham-handed approach to a theatrically-released film and actually made
some critics’ top ten lists.
Brie Larson plays Grace (seriously, is that the best you
could do for a name?), a young woman who works at a group home for troubled
teens. Her boyfriend and co-worker (John Gallagher Jr.) is bearded and shaggy and just so perfectly
supportive, caring, and nurturing toward this young woman whose troubled past
is signaled by the way she picks at her cuticles, or becomes obsessed with a
new arrival of a girl who dresses in dark clothing, is standoffish, has obvious
daddy issues, and cuts herself. It doesn’t take a great deal of sleuthing to
figure out exactly – and I mean precisely – what happened in Grace’s past to
make her like this.
This is just a cookie-cutter approach to character and
story. If I were twelve, I might think this movie truly profound. But
writer-director Destin Cretton would have us think that child psychology is a
fixe logic science: if A happens to a child, then B is the result. So a teen
whose sister died has a childlike reversion in his behavior and has also taken
on the playthings of his dead sister as if it were some attempt to keep her
alive in his mind. Is this what passes for character development? One teen,
upon reaching his eighteenth birthday and the inevitability of having to leave
the group home to enter the world suddenly becomes suicidal despite no previous
tendencies.
In crafting his story and screenplay, it certainly
appears that Cretton didn’t undertake even a modicum of research. Did he spend
any time at group homes like the one he depicts? Did he bother to talk to
people who have volunteered or worked with troubled teens? What about abuse
victims? Did he bother talking to anyone to get a sense for how their issues of
the past manifest later in life? If he did, then I don’t think he was paying
attention or he decided that the truth of life wasn’t convenient for the
simplistic movie he had in mind. Of course, if he didn’t even bother to talk to
a psychologist, then it’s just another example of his very sloppy approach to
storytelling. Short Term 12 is
shamefully bad for the way it tries to pass off incredibly complex issues of
human behavior in the most inattentive way. This isn’t going to teach or help
anyone.
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