I didn’t see any eulogies for James Gandolfini earlier
this year that didn’t talk about how surprisingly good an actor he was and
capable of real heart in spite of his tough-guy persona and sometime
typecasting. Prior to “The Sopranos” he mostly portrayed heavies and after that
he became indelibly linked to the role of Tony. But for a taste of just how
incredible he could be even if you strip away the rough veneer and harsh
language, take a look at the romantic comedy Enough Said, where he and co-star Julia Louis-Dreyfus are divorcees
who start dating one another.
Writer-director Nicole Holofcener has a wonderful knack
for female characters who live and behave as real people and not like movie
people. Lovely and Amazing was a
welcome and refreshing portrait of three women struggling with things like romantic
and familial relationships, body image, and children. Louis-Dreyfus plays Eva,
a massage therapist and mother of a teenage daughter about to head off to an
East Coast college. She’s suffering a little pre-empty nest syndrome, a feeling
she placates by getting involved with Albert (Gandolfini) and playing surrogate
mother (unintentionally) to her daughter’s friend, who begins to spend a
disturbingly creepy amount of time at Eva’s house.
After a charming sort of meet-cute at a party, Eva and
Albert have one of cinema’s all-time great first dates. They laugh at each
other’s jokes, say the right things, enjoy each other’s company and it’s all
incredibly unforced – the result of marvelous acting an relaxed direction. Eva
and Albert develop a lovely romance, they spend a lot of time together, they
meet each other’s daughters and all the time Eva has been developing a
friendship with a client (Catherine Keener) who is in a position to unwittingly
reveal too much information about Albert. Because Eva is human, she is flawed,
and she fails to tell either Albert or her friend the truth. Instead she very
foolishly allows poison to seep into the relationship.
Holofcener is such a good writer that this transgression
becomes touching and sort of heart-breaking in its consequences. Compare this
to how some rom-com starring Kate Hudson or Jennifer Lopez would have treated
the same material. You can imagine lots of hysterics, plenty of female
shrieking, probably even some resolution that involves an apology from the man.
But Eva remains grounded and human. She even shakes off the hallmarks of Elaine,
the character she portrayed through nine seasons of “Seinfeld.”
As a storyteller, Holofcener is showing us something
about what it means to be with someone long term. To be married means learning
to live with all those idiosyncrasies a person has and fighting against the
urge to be turned off by them. Robin Williams has a great speech about this in Good Will Hunting and here is the
representation of what happens when it goes sour. Eva and Albert both came out
of failed marriages each of which started lovingly and with the best
intentions, as any marriage does. But then you rift and allow yourself to be
irked by small details. Eva allows the early knowledge of Albert’s habits to
turn her against him and mistreat him. She’s also not aided by having a best
friend (Toni Collette), whose marriage is full of barely concealed animosity
and resentment. When children are in the picture your lives are forever yoked
to one another. And Holofcener very wisely includes two key scenes involving
Eva and her ex, the second of which is truly the emotional climax of the film
as they see their daughter off to college and these two people whose marriage
failed nevertheless have arrived at this moment together by virtue of the fact
that they raised that little girl.
Then through it all she gives us the rock solid
performance of Gandolfini. He is the center of this movie, the glue holding it
together. He is a big lug, kind of goofy, not entirely attractive, and
certainly overweight, yet he is tender, sweet, and good-natured. Albert doesn’t
make a single misstep in the movie. That’s what makes it so difficult when we
see the effect of what Eva did. It’s a shame Gandolfini didn’t live long enough
to hear the praise he deserves for Enough
Said. This should be noted not as a footnote to a truncated career, but as
an emblem of what he was capable of achieving.
Gandolfini has changed my perspective on what attracts me to a man. The vulnerability of his character and the way he plays that vulnerability is simply superb. I think I find him super sexy and I know I liked a movie or an actor when I can't get their image out of my head . I was so drawn to him that I saw the sopranos after I watched the movie . You see it was never aired in India. I think in some sense I have rotten luck because I met the guy I am in love with after he died !
ReplyDeleteGood job on the review
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