A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
It was hard to see
after Kill Bill Volume 1 where the
entire epic was headed and what the point of it all was, but then Kill Bill Volume 2 truly tied it all
together. I judge it a better film overall when considering them as two
separate entities if only because it feels much more complete.
I don’t much care for the opening black and white scene
of The Bride (Uma Thurman) driving while narrating the events of her recent
life. It’s a scene that I always thought was tacked on (likely a reshoot) when
the Weinstein’s refused to allow Tarantino to release it as one four hour film.
So the scene serves as an introductory recap of the first film.
What works really well in the Volume 2 is that we finally get to see Bill (David Carradine) in an
early scene that shows how the massacre at the chapel went down. During the
wedding rehearsal, The Bride finds him sitting outside playing his flute. The
tense conversation gives way to feelings of comfort until the rest of the
assassins arrive for mayhem.
Just about everything about this film works better
including the lengthy flashback showing how The Bride learned her skills from Pai
Mei, the unforgiving teacher for whom she nevertheless has tremendous respect.
This sequence informs the double level of revenge she seeks toward Elle (Darryl
Hannah) when she confesses to having killed Pai Mei. Also the whole section
involving Budd (Michael Madsen) and The Bride’s burial in a coffin from which
she manages to escape using a brutally painful Pai Mei technique. Then the
final showdown between Bill and The Bride, staged not as a brawling climax but
as a reflective, semi-apologetic, emotional comedown from all that has
transpired over the course of the two films. We learn the nature of their
relationship and fully understand both the tragedy and necessity of killing
Bill.
“The woman deserves her revenge. And we deserve to die,”
says Budd. Yes, but that doesn’t mean you go without a fight.
Tarantino’s epic turns on qualities like honor, fealty to
ideology, and loyalty to family and loved ones. And most importantly of course,
revenge for past transgressions. He accomplishes it all with great visual style
ad flare while imbuing the ending with genuine emotion.
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