A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
I’m a total sucker for heist films. I’ve said it here
before. I love the group of thieves each with some specialized skill, the plan,
the execution, and the hitch, even though these are all generally tired clichés
in the subgenre. Steven Soderbergh’s updating of Ocean’s 11, from a screenplay by Ted Griffin, is a slickly produced
genre film that is far better than it has any right to be.
The original featured the epitome of 1960s cool, the Rat
Pack, with Frank and Dean at the fore. Forty years later, the update features
contemporary Hollywood’s biggest male stars and embodiment of suavity: George
Clooney and Brad Pitt. Clooney is Danny Ocean, the brains behind the caper and
plan to rob three Las Vegas casinos of $160 million. His closest confidante is
Pitt’s Rusty. They’re bankroll is supplied by a fading Vegas hotel magnate
played by Elliott Gould and they put together an ensemble of crooks and
villains that includes Casey Affleck, Scott Caan, Don Cheadle, Matt Damon,
Bernie Mac, and Carl Reiner.
Griffin’s screenplay pulls a con of its own while the
crew of 11 is busy conning everyone from security guards up to the casinos’
owner Terry Benedict (Andy Garcia) and his girlfriend, Tess (Julia Roberts)
who, as complications would have it, is Danny’s ex-wife. Soderbergh fills in
some clues here and there with oddly disorienting close-up shots of apparently
meaningless objects that later turn out to have grand significance. You can’t
possibly guess at what the actual plan is while it’s happening, which is a bit
unfair, I think. Griffin deliberately makes it oblique. When one thief asks if
they’re simply going to walk out the front door with $160 million, Danny tells
him that’s right. That is what they do, but how they get there is never
revealed in the planning scenes. The construction of a replica of the vault we
might believe is for practice, but Danny’s response to that question is, “Something
like that.”
There’s no way we can possibly anticipate what it’s real
use was before the big reveal. But that’s all part of the charm and has since
become a signature move in many of Soderbergh’s films – he takes a page out of
the David Mamet book of filmmaking and cons the audience. It’s all great fun
while it’s happening and there’s some really great camaraderie between the
members of the gang. This is a film I can keep watching and always be
entertained.
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