The
scene in which Sollozzo presents his proposition to Tom takes place in what
appears to be an abandoned ‘railroad car’ diner – a long, narrow freestanding
building. The only lighting in the scene is a source light, a small lantern on
the table near Tom and Sollozzo. There are two close shots on Tom and Sollozzo,
only their faces lit, everything else very dark before the cut showing us the
room and the light. The shot is almost completely black. We can see the
outlines of the characters in the far background and a silhouette of a guard in
the foreground, but there is not enough light to give much indication as to
where they are. For the Corleone family this is the low point of the film. Luca
Brasi has been killed, the Don is near death, Tom has been taken and Sollozzo
is about to put the screws to the family. The darkness of this scene is a reflection
of that despair.
Solozzo enveloped in darkness before delivering the bad news to Tom. |
The darkness keeps out a lot of the detail in the room. |
A long shot reveals a single source light casting an enormous shadow of Solozzo in the wall on the left. |
Here
Sollozzo reveals his powers of observation and what he learned in his meeting
with Corleone. He says to Tom:
VIRGIL SOLLOZZO: Sonny was hot for my
deal, wasn’t he? And you knew it was the right thing to do.
Remember
in the meeting Sollozzo noted how thorough Tom was at information gathering.
This would have led him to suspect that Tom thinks things through. And Sollozzo
noticed Sonny jumping in to speak out of turn, thus leading him to the
conclusion that he was interested in the deal. So Sollozzo knew that his best
move would be to get the Don out of the way, give a sound proposition to Tom to
smooth things over with Sonny and he would get what he wanted. Again, the theme
of business enters this scene. Sollozzo tells Tom, “It’s good business.” And at
the end of their conversation he makes the assertion we’ll hear several times
in the film that he’s simply a businessman and doesn’t like violence. But of
course for these guys, violence is all part of the business.
Then
we learn that Vito is still alive. Someone pulls up to inform Sollozzo of the
news and he tells Tom saying that it’s bad luck all around. Before the scene
ends there is a music cue of the dark, ominous music signaling danger. It’s the
same music that will play when Michael is at the hospital later trying to
protect his father.
Go to Part IX: "It means Luca Brasi sleeps with the fishes."
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