It’s been 15 years since the last time the Muppets graced
cinema screens. I haven’t seen The Muppets in a movie since they took Manhattan
25 years ago. Someone in Hollywood apparently thought it was worth a shot to
bring them back. Really they took a chance on Jason Segel and Nicholas Stoller,
who came up with a story and pitched it successfully to Disney studio executives.
Lo and behold, The Muppets, directed by James Bobin, has turned
out to be one of the most successful Muppet movies.
Because it’s been so long since they went away the story
has to awkwardly cater to their old fans while introducing them anew to the
next generation. I don’t know if this is a franchise Disney can maintain
because the one thing that remains certain after seeing this film is that the
Muppets are analog characters in a digital age.
Segel plays Gary, whose brother Walter is a Muppet-like
puppet although in this world no distinctions are drawn between Muppets and
humans except that Walter felt out of place his whole life until he discovered “The
Muppet Show.” All he’s ever wanted to do was to see the real Muppet studio in
Hollywood. His dream comes true when Gary invites him along on an anniversary
getaway with his girlfriend Mary (Amy Adams).
Of course this being a Muppet movie there will be some
big dramatic development to set the plot in motion. In this case, an oil tycoon
appropriately named Tex Richman (Chris Cooper) has discovered untapped reserves
beneath the studio and it will be his unless they can raise $10 million. Walter
overhears all this and convinces Gary and Mary to go seek out Kermit the Frog
so they can round up “the old gang” to put on one more show to raise the money.
The sequence of going around to gather the Muppets in
their respective new lives serves as a way to bridge the gap between those old
fans and the potential new ones. It’s also vaguely reminiscent of The Blues Brothers. One of the
characters, however, realizes that it will take far too much screen time to do
this for every one of them, so they recommend a montage. This type of humor was
popularized by the Zucker-Abrahams-Zucker team with films like Airplane, Top Secret!, and The Naked
Gun. It would be amusing if it didn’t feel entirely dated, especially when
they take a quick jaunt to Paris to round up Miss Piggy and they “travel by
map.” Raiders of the Lost Ark was
made 30 years ago and even that film was calling attention to a style
popularized in the 30s. Chris Cooper’s villain is satirically cartoonish in the
way Dr. Evil was in the Austin Powers
series. When he commands his underlings to provide a “maniacal laugh” I couldn’t
stop thinking about Dr. Evil and his henchman with their big guffaws after
announcing their plans for world domination.
Yes, there is something nostalgic and almost exciting
about seeing the Muppets together again. But I can’t get past the oddness of
it. They belong to another time it seems. There’s an innocence to their
characters that doesn’t quite fit the new millennium. Looking at Animal and his
band mates I couldn’t help but think about the fact that those kind of hippie
musicians don’t really exist anymore.
As a musical, the songwriting leaves something to be
desired. None of the songs really moved me a whole lot, least of all the
Oscar-nominated song “Man or Muppet,” a duet between Gary and Walter in which
each wonders which of the two he really is. For kids entertainment you can do a
whole lot worse, that’s for sure. It was all just so benign and good-hearted
and kind of dull. All except for Animal of course, who has always been my
favorite Muppet. When we meet him he’s in an anger management center with Jack
Black as his guru. “Drum” is his trigger word and so he’s forbidden from
playing the drums. Later they’ll kidnap Jack Black to use as their celebrity
guest star on the show, one of the contractual obligations set down by the TV
executive (Rashida Jones) who gives them air time.
There are some pretty good celebrity cameos like Alan
Arkin as the Muppet studio tour guide and Zach Galifianakis as Hobo Joe,
initially their only audience member, but I often found myself wishing for a
time in the past that The Muppets
seems so desperate to recall and hold onto. I just wasn’t feeling it. Maybe I’m
too much man and not enough Muppet.
No comments:
Post a Comment