Kung Fu Panda 2,
the sequel to the hit computer-animated action comedy from DreamWorks Animation,
follows the standard rules of sequels. It is bigger in scope, louder, and more
boisterous. And it expands the cast list, already overflowing with celebrity
voiceovers, to include even more. Part of the fun is trying to identify that
voice you recognize but just can’t place. In addition to the stars of the first
show, Dennis Haysbert and Jean-Claude Van Damme appear as kung fu masters from
another province and Danny McBride is here as a badass wolf.
If you recall the first film, Jack Black voices Po, an
overweight panda who was destined to become the Dragon Warrior – the most
fearsome kung fu fighter China had ever seen. He was trained by Master Shifu
(Dustin Hoffman) and fought alongside Tigress (Angelina Jolie), one of the
Furious Five (David Cross, Seth Rogen, Jackie Chan and Lucy Liu fill out the
posse). All have returned for the second outing which has Po becoming unsettled
by his past. He’s having visions of his infancy and has begun to suspect that
his dad, Ping the goose (James Hong), might not be his natural father.
Returning screenwriters Jonathan Aibel and Glenn Berger
provide a pretty good story that convincingly moves this sequel along. This
time, Po and the Furious Five must prevent a megalomaniac from gaining rule
over all China using newly minted weapons that could spell the end of kung fu
as an effective tool against bad guys. Shen the peacock (voiced by Gary Oldman,
taking Ian McShane’s place as the stock British-accented baddie), once banished
from the kingdom for reasons never really elucidated, returns with his
explosive cannons. It seems he has invented gun powder. How can kung fu be a
match for that kind of firepower? Po, always the irreverent jokester (as voiced
by Jack Black how could he be anything else), laments that he just got kung fu
and now it’s about to be rendered useless.
The story borrows a lot from Chinese mysticism, fantasy
and fortune telling. Michelle Yeoh voices a soothsayer whose prognostications
lead to Greek tragedy level troubles. I like how it incorporates a historical
development that forever changed warfare, but someone should tell Po and his
friends that kung fu will survive for at least a few more centuries and that it
will actually make for a film genre unto itself one day.
In some of the big action set pieces I did feel that
director Jennifer Yuh Nelson, a story artist on Kung Fu Panda, cranked up the kinetic energy a little too high.
When dealing with animation and not real actors, it’s possible to show your
characters doing anything. So I don’t understand why the action sequences are
edited precisely to resemble a live action film in which cuts are made to
conceal the limitations of the actors. Instead of giving in to Attention
Deficit culture, she should have slowed it down to keep our heads from
spinning.
But the animation looks spectacular. It’s as good or even
better than the first film and the voice characterizations are some of the best
I’ve heard in any animated feature film. Kung
Fu Panda 2 isn’t quite one for the ages, but it’s rollicking good fun with
the occasional smart joke. Best of all is that it comes by the emotional
elements honestly – by using an old technique called writing to build
characters we care about.
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