Oh Cameron Crowe! Where, oh where did you go? Once upon a
time you made movies I really enjoyed. now I have to return to my copies of Say Anything and Almost Famous for a taste of your past glory. Maybe it’s me who’s
changed and I no longer fall for the genial affability of your characters
wrapped up in kitschy sentiment. Crowe’s latest serving of pop sentimentality
is based on a memoir by Benjamin Mee. That the film is “based on a true story”
makes me dislike it even more as that’s generally a red flag that it’s trying
to absolve itself of criticism by virtue of the fact that it really happened.
We Bought a Zoo
is about a thrill-seeking journalist played by Matt Damon who, in the wake of
his wife’s death, quits his job and uses his dad’s inheritance money to buy an
18 acre farm that is home to a defunct and dilapidated zoo. His older brother
(Thomas Hayden Church, channeling his character from Sideways), drawing on his own experiences, warns Benjamin not to
engage in simple escapism. But there wouldn’t be much of a story if he didn’t
forge ahead with a project that would ultimately become life-affirming and
self-actualizing. And by the way, it will also help his teenage son Dylan (Colin
Ford) in the end, a youth whose social troubles are signaled, with no sense of
irony whatsoever, by his propensity for creating art that is morbid in nature. “Why
can’t he express himself with less disturbing images,” his obtuse art teacher
laments. I’m not making this up. This is Crowe’s idea of how to depict a
teenager with issues.
Benjamin also has a daughter, Rosie (Maggie Elizabeth
Jones). She is cut from the same mold as Jonathan Lipnicki in Jerry Maguire, as shameless tug at
audiences’ hearts that was later lampooned by Aaron Sorkin in “The West Wing”
of all places. She’s one of these characters that doesn’t speak at all like a
child – even a precocious child – speaks. She sounds like a screenwriter (in
this case Crowe and Aline Brosh McKenna) created a little girl who could be both
conscience and voice of reasoned simplicity for her troubled dad. She’s always
got the right thing to say and it’s always SO adorable! But I resent the notion
that life is so simple, it’s just adults who complicate everything and we need
an innocent to ground us. Please! Dorothy was a child who was whisked away to a
fantasy world and when she awoke she’d gleaned a greater appreciation for her
reality. Did Crowe learn nothing from The
Wizard of Oz?
The cast is filled out by the oddballs who maintain the
zoo. They are led by head zookeeper Kelly (Scarlett Johansson). Do you suppose
a beautiful young actress was cast for some reason other than having a romantic
interest for our leading man? Like father, like son – Dylan is provided a
little love interest in Kelly’s niece Lily (Elle Fanning). There’s also Peter
(Angus Macfadyen) as a hard-drinking no-nonsens Scotsman who has an old grudge
against Walter Ferris (John Michael Higgins), the government inspector who
needs to give his approval for the zoo to open to the public. Here is a man so
officious he comes across as little more than a cartoon distraction from the
drama at the center of the film, which is really about a family coping with
tremendous loss. Why populate a story that’s based on fact with unbelievable characters?
It seems to undermine the whole project and makes it all feel quite uneven.
Thankfully Crowe gets the most important relationship in
the film dead right. The interaction and dialogue between Benjamin and Dylan is
perfect and the only thing in the movie that struck me as being even close to
genuine. This is a relationship between two men who don’t know how to speak to
one another, although they each desperately want and need to. The scene when
tensions finally reach a breaking point for these two was some of the finest
family drama writing I’ve heard and also some of Damon’s finest acting.
As usual, thanks to Crowe’s history as a rock journalist,
the film is peppered with great rock songs including Tom Petter, Bob Dylan and
Neil Young. However, it’s not enough to save this middling success from feeling
like it was made on auto pilot.
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