No one is currently making movies about small town middle
Americans quite like Alexander Payne. He’s like the Frank Capra of Nebraska,
but with a drier sense of humor. It takes a special kind of disposition to tell
stories about people in flyover states without playing down to the erudite and
occasionally superior attitudes of the self-described educated people of New
York and Los Angeles. Nebraska tells
the story of simple people in a rather simple situation. There’s none of that
common-man-in-extraordinary-circumstances here, although Woody Grant is treated
like a hero or a celebrity for reportedly being named the lucky winner of a
million dollars.
A blog mostly dedicated to cinema (including both new and old film reviews; commentary; and as the URL suggests - movie lists, although it has been lacking in this area to be honest), but on occasion touching on other areas of personal interest to me.
Saturday, December 28, 2013
Short Cut Movie Review: Blackfish
A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
In response to the popularity and Oscar win for the
documentary film The Cove, comes
another version of a marine mammals in distress call to action documentary in Blackfish. The subject here is killer
whales in captivity and specifically those used at sea amusement parks like the
famous Seaworld in Orlando, Florida.
Saving Mr. Banks Movie Review
The Walt Disney Company truly exists now to perpetuate
its own myths. They include, but are not limited to, the idea that Walt Disney
was the greatest human being who ever lived and was devoted exclusively to
making people smile, and that a good wholesome family entertainment can solve
most of life’s problems, often with a saccharine song and dance number. Saving Mr. Banks proposes some mythology
of its own about the origins of P.L. Travers’ series of Mary Poppins books and the way Uncle Walt convinced her to sign
over the rights.
Friday, December 20, 2013
Stories We Tell Movie Review
Actress and filmmaker Sarah Polley turns the camera on
her family’s history and, by extension, herself in her documentary Stories We Tell. She starts by asking,
in a series of on camera interviews with various family members and friends of
her mother’s, to tell their version of the story to her as if she didn’t
already know it. They all have an initial hesitation and some of her brothers and
sisters even suggest that they don’t really see their family’s story as
particularly unique or worth presenting to the world.
The Hunger Games: Catching Fire Movie Review
The Hunger Games:
Catching Fire does just about everything a studio wants from its sequels.
It basically repeats the successful formula of The Hunger Games, but adds a new bevy of recognizable Hollywood
faces. The one thing it mercifully resists is ramping up the action. The Hunger Games was an exercise in Gary
Ross’s control and his successor Francis Lawrence follows in his footsteps,
keeping the majority of the action within the centerpiece installment of the “games”
themselves even while the stakes have been greatly increased.
Labels:
2013,
action,
Amanda Plummer,
based-on-novel,
Donald Sutherland,
Elizabeth Banks,
Francis Lawrence,
Jeffrey Wright,
Jena Malone,
Jennifer Lawrence,
Josh Hutcherson,
Lenny Kravitz,
Liam Hemsworth,
Philip Seymour Hoffman,
review,
Stanley Tucci,
Woody Harrelson
Short Cut Movie Review: Dirty Wars
A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
Anyone who is not, at the very least, deeply troubled by
the American government’s sanctioning of targeted killings of people classified
as enemy combatants, especially when some on the kill list are American
citizens, does not have a very deep appreciation of or respect for the
Constitution. Night time assassination squads of the recent past or drone
attacks of the present don’t cause me to lose a great deal of sleep. I see them
as part of a continuum of a new way of waging war. This is even while I do understand
and recognize why some people have very serious objections. But when those
targeted are citizens of this country and when there is no public evidence that
the target has committed any crime, we’re essentially looking at a death
sentence without due process, without any evidence brought to light, and
without a jury finding him guilty.
Saturday, December 14, 2013
Short Cut Movie Review: Pacific Rim
A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
I’m really having a tough time figuring out if Guillermo
del Toro’s wild, CGI-packed, global-minded mindless summer action flick Pacific Rim is a serious movie that is
as badly written as the worst of the Transformers
films or a half-clever (and only half, really) satire and sort of send up of
big, dumb, and loud Hollywood action films. The fact that it’s not entirely
obvious is a sign of either a brilliant scheme to attract both fanboys and
cinema enthusiasts alike or a complete failure to signal exactly what it’s
trying to do.
Given del Toro’s record as a filmmaker, I’d like to think
he’s up to something interesting here, but even if he is, I didn’t really enjoy
most of the film. Written by del Toro and Travis Beacham, Pacific Rim is an amalgam of so many different films of recent
Hollywood history that it’s hard to keep track of the references. It combines
elements of Transformers, Alien, Top Gun, Star Wars, Starship Troopers, Godzilla, and countless old WWII films. The sum of all these
disparate parts suggest a comment on the direction of summer tent pole action cinema
as nothing more than further extensions of what has come before without regard
for originality, even if Pacific Rim
is ostensibly an “original” screenplay, it remains a largely derivative work.
The time is the near future and earth is under regular
attack by alien creatures called Kaiju entering from another dimension at the
bottom of the Pacific Ocean. The creatures take the form of enormous
dinosaur-looking creatures that have caused the world to band together and pool
resources to construct giant robots to battle them. The robots, known as
Jaegers, are so complex they require dual pilots who pass through “neural drift”
(really like a longer version of the Vulcan mind-meld) and work in
synchronicity. One of these crack pilots if Raleigh (Charlie Hunnam). Idris
Elba plays his superior officer and leader of the Jaeger program. There are a
couple of mad scientists (Charlie Day and Burn Gorman) with crazy theories and
even crazier behavior. Rinko Kikuchi plays a budding Jaeger pilot with a
traumatic history.
The dialogue is so over-the-top bad and the behaviors of
every character so clichéd and hackneyed that I ultimately have to believe it
was done intentionally. Still, apart from some pretty well-choreographed fights
involving gigantic CGI creatures, there was little I found thoroughly
enjoyable. Except the scenes with Ron Perlman (a del Toro regular) as a Hong
Kong black market dealer in Kaiju body parts. He’s fantastic and his dialogue
was actually well-written and delivered.
Wednesday, December 11, 2013
25 Years Ago This Month: December 1988
Typical of December, the final month of 1988 was full of releases vying desperately for awards consideration, especially Oscars. Eight films released in this month received Academy Award nominations, including all five of the Best Picture nominees.
As always, we start with what I've seen...
Barry Levinson's Rain Man was the box office behemoth of the year and winner of the Best Picture Oscar the following year. It embodies everything a typical "best picture" is, but mostly it's a rather simplistic portrait of autism produced at a time when virtually no one knew anything about the disorder. A quarter century later, many people can probably tell you something about it, most mistakenly that it's caused by childhood vaccinations. Dustin Hoffman's autistic savant is the very rare exception among people on the spectrum, but in 1988 it led most people to believe that being autistic meant being able to count cards and take the house in a Las Vegas casino.
As always, we start with what I've seen...
Barry Levinson's Rain Man was the box office behemoth of the year and winner of the Best Picture Oscar the following year. It embodies everything a typical "best picture" is, but mostly it's a rather simplistic portrait of autism produced at a time when virtually no one knew anything about the disorder. A quarter century later, many people can probably tell you something about it, most mistakenly that it's caused by childhood vaccinations. Dustin Hoffman's autistic savant is the very rare exception among people on the spectrum, but in 1988 it led most people to believe that being autistic meant being able to count cards and take the house in a Las Vegas casino.
Tuesday, December 10, 2013
Short Cut Movie Review: Frozen
A Short Cut Movie Review is normally less than 400 words, but in some cases may go slightly over. This is my attempt to keep writing about as many films as I see without getting bogged down with trying to find more to say. They are meant to be brief snapshots of my reaction to a movie without too much depth.
Disney’s Frozen
is a loose (very loose) adaptation of Hans Christian Andersen’s classic fairy
tale The Snow Queen. As an example of
classic Disney animation, it succeeds wonderfully. This is gorgeously rendered
computer animation. The palette is beautiful icy blues blended with crystalline
whites with lots of shine and sparkle. The story, by Chris Buck, Jennifer Lee,
and Shane Morris is at least more contemporary in theme than Disney’s princess
movies have typically been, by which I mean this isn’t strictly about a young
woman desperate to meet a man to marry. Buck and Lee directed the film.
Elsa is the young woman with the often uncontrollable
power to turn the world around her to ice. She’s spent the majority of her
youth and first years of adulthood locked away from the world. Her sister Anna
has no memory of what she can do. Both women want the best for each other and
their primary goals are, in the case of Elsa, to avoid hurting her sister, and
for Anna, to have a normal life with access to and a relationship with Elsa.
Unable to resist the temptation to include adorable
non-human characters, there is a snowman come to life named Olaf (voiced by
Josh Gad), who has the best musical number in the movie in which he sings about
his desire to experience summer and warm sunshine. There’s also an interesting
colony of little trolls with the film’s second best number. Unfortunately, the
rest of the songs are close to dreadful. They capture little of the classical
style Disney used to do best. The music by Robert Lopez sounds like
contemporary pop rock: the same spiritless, over-produced music for mass
consumption that we get from any of the TV talent contest shows. Kristen
Anderson-Lopez’s lyrics often don’t help, performing the function that too many
modern musicals utilize which is to have dialogue and narration sung rather
than spoken. Songs in musicals should express ideas and emotions rather than
actions and instructions. Incidentally, the singing by Kristen Bell as Anna and
Idina Menzel as Elsa veers into ear-splitting awfulness. When Menzel strikes
the high notes in her big song, I literally cringed and winced at the piercing
shriek. But this is what passes for good singing today – the tightly strained
and forced cries that would never pass muster outside popular opinion. It would
have been much better movie without the songs.
Sunday, December 8, 2013
Philomena Movie Review
The trailer for Philomena
is selling a very different movie than what Stephen Frears made. I admit to
wanting to avoid this movie at all costs, but for my yearly goal of watching
everything that gets an Oscar nomination (and it’s looking ever more likely now
that I’ve seen it that Judi Dench will be nominated). But I should have given
Frears more credit as a director. After all, he’s made some movies I really admire and one I love (as well as a couple of stinkers). The publicity campaign
makes Philomena out to be a maudlin
story about a woman trying to find her long lost son, who was taken from her
and adopted fifty years earlier. It looks like the focus is on a daft old lady
who says silly little things, the kind of simplistic humor that appeals to the
lowest common denominator.
Shine a Light Movie Review
It’s only natural that Martin Scorsese would have made a
Rolling Stones concert film. He was one of the first film directors to employ
rock music on the soundtrack of his films and has continually returned to the
Stones, even using “Gimme Shelter” three times, although it is sort of
ironically absent from Shine a Light.
But also Mick Jagger is a quintessential Scorsese protagonist. Watching him
preen, gyrate, strut, and bounce on stage calls to mind Tom Cruise winning at
pool in The Color of Money, the
explosiveness of De Niro in Mean Streets,
or his unpredictability in Taxi Driver,
and the ferocious energy of Joe Pesci in Goodfellas.
At the risk of sounding grandiose, there’s even a comparison to be made to
Willem Defoe in The Last Temptation of
Christ in Jagger’s ability to lead the crowd in The Beacon Theater, a
historic temple of performance. Archival interview footage even reveals Jagger’s
self doubt prior to performance – feelings that Defoe’s Jesus would find
familiar.
Tuesday, December 3, 2013
The Counselor Movie Review
In general I try to avoid what other critics have to say
about a film before I see it. Sometimes I have a general idea of the critical
consensus, but in the case of The
Counselor I knew nothing. I was shocked to find that the majority of
critics had ripped it apart. It would have been surprising enough only for the
fact that it was directed by Ridley Scott from an original screenplay by
novelist Cormac McCarthy (his first produced). McCarthy is, after all, one of
the greatest contemporary fiction writers in America. It also features a
phenomenal cast of highly capable actors. Mostly my disbelief registered so
high because I thought The Counselor
was just wonderful, exemplifying the very best of what McCarthy accomplishes in
his novels.
Man of Steel Movie Review
I’m not even sure there’s much point in having a critical
view of a movie like Man of Steel.
What exactly does it add to the conversation? When an indie or an arthouse film
is bad, at least it’s bad in a way that still contributes something to cinema.
When big, bloated action films are bad – and most of them are – they’re just
plain bad. And anyway, they’re not made for people who actually try to put
nuanced thought into their movie watching.
Subscribe to:
Posts (Atom)
How'd I Do? 93rd Academy Awards Nominations Edition
I got 36 out of 43 in the top eight categories. That's 83.7%. Getting 19/20 in the acting categories made up for the fact that I went on...
-
This film will open commercially in the United States on 22 April 2011. Immediately after being born, an infant child is tattooed ...
-
As I rewatched Ridley Scott’s Black Hawk Down for the first time I more than a decade, two other war Berchtesgaden more than a year late...
-
There are those moments when going to see a new movie in the cinema can allow you to be a witness to a sea change in filmmaking. When The...